When I saw the top 25%, I felt that they would not have a good result. The family conditions of the two sides are too different, and the male protagonist can fight hard and only have some feelings left. . . The movie follows their memories before going to bed in a realistic tone. Before getting married, they felt that love at first sight brought beauty, and even the hero's mad mother and messy home were full of brilliance. But at the thought of getting married, the heroine's body immediately became honest, from the initial uncoordinated movement to the increased muscle tension before going to bed to the final 'frigidity', although she still refused to admit it. And all this was seen by the persevering band cellist, whose sly little eyes seemed to know everything from the beginning (it is estimated that the names of the children were already thought of at the time). As expected, the male protagonist immediately collapsed after the accident, and more than ten years later, he looks more like a hammered cow. The story of running water taking away time also cured the heroine's 'frigidity'. At the end of the story, the cellist and heroine who were full of children and grandchildren went to the pinnacle of life, while the spare hero was sitting in the third row and the boss was sad.
I think this story tells us that as long as there is no irreconcilable class conflict between you and the goddess, as long as you don't give up, you have the opportunity to bring the goddess home, no matter how bad your start was. I had seen the economics of marriage pushed by a public account before and felt that the three views were not right at first. Now I think about the fact that many surprising things contain the intertwining of productivity and production relations in the depths. Look at the economy so narrowly, because it is the best tool for explaining the society.
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