Memo incomplete notes

Alfonso 2022-03-26 09:01:12

Note: It's a bit of "The Man with the Camera" (although the two purposes are very different); at the beginning, the plan séquence with the camera, the jump cut of the interviewee, and the voice-over (question by the staff) all have a kind of The feeling of "pseudo-documentary"; cinéma dans le cinéma; the style of filming in the film is completely different, the characters are basically facing the camera, especially when Mochizuki recalls the clip, he looks at the "camera", the next shot is usually not What appears in the finished film, but is an integral part of the film's creation, the camera crew, when they are also presented: front, looking towards the camera (the audience). Now they are also part of the film. This kind of lens language with film d'attraction gives people a completely different feeling, compared to the "documentary" shooting method mentioned above; ps: This kind of feeling is like staying in the film world after watching the film in the theater , isn't it a real movie viewing experience? And the whole film is the whole process of making a film to the final presentation, so it can be said to be "a film about a film"?

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Extended Reading
  • Adrien 2022-03-18 09:01:06

    Not only is Eddie Hirohe the best, but also can be written into the top ten in the history of Japanese shadows. 1. The film explores the complex, heterogeneous and fluid self-continuation, and faces the ultimate question: about the reconstruction of memory and memory, about the meaning of life and the true meaning of happiness. 2. Use the simplest way (interview records and simple and sincere filming process) to convey the most moving emotions; use the purest way (sitting around and discussing) to think about the most personal philosophical issues: Where is the earliest memory? What is the meaning of reproducing memory? The past memory and the restoration of dreams, or even the true imagination of the future, which is more real? Does not making a choice mean embracing a complete life? 3. Most of the films made are left blank, and we can only reshape the memories of others in our imagination through the words of the deceased and sporadic rehearsals. 4. The memory film studio leading to the kingdom of heaven is also the most beautiful after death world I have ever seen, just like [Lovely Bones]. 5. Staring at the moonlight tonight & patio cover. 6. Leave the memory of making a movie, sit on the bench in the studio and look back on life. 7. In summer, sitting in the front row of the bus, the breeze is blowing. 8. Flying in the clouds. (9.5/10)

  • Tyshawn 2022-01-19 08:02:08

    It's like a real documentary about memories: ⒈If I want to choose only one memory I want to keep, it should be as difficult as choosing only one movie as my favorite work. After all, good memories and beloved movies are both Lots; ⒉Grandma who is going to heaven in "Phantom Light"; Grandma Totoro→"My Neighbor Totoro"; use the day of the week to make chapters→"Midnight Bell"→囧; To death;... @中国电影资料馆

After Life quotes

  • Kenji Yamamoto, who wants to forget his past: Say I choose a memory, from when I was eight or ten years old. Then I'll only remember how I felt back then? I'll be able to forget everything else? Really? You can forget? Well, then that really is heaven.