I watched a movie called "The Womb" on Monday, at first just because I liked the heroine Eva Green. I don't know if this is a niche movie, but the plot is really bloody enough. Cloning a dead lover and giving birth to it sounds magical.
The whole film has a gray-blue tone, and with the background music with more short notes, it is both tragic and strange, and it is easy to create an overall depressing atmosphere. In addition, it is cold.
They often go to see the sea together. The uninhabited sea, dilapidated ships, waves, and bicycles are all unique scenery. In such a seaside, there are many detailed performances of actors, such as the close-up of the girl's legs when she watches the boy go away in the first silent rival scene, and the casual touch completely conveys the girl's thoughts - only when she encounters something Only some boys who like it will have such body movements.
The director seems to have a deep obsession with the silent details, the slowly moving snail, the magnifying glass that projects the girl's lips, the reflection in the bathtub, the grandfather walking away on the coast... I don't quite understand the meaning of these scattered details, only It feels quiet and beautiful, and even the naked scene does not have any eroticism. And these small details that are connected before and after, such as the male protagonist who has been carefully feeding for a year, and finally killed and stored the little snail for twelve years, these make the film connect, and continue to show the growth, departure and reunion of the male and female protagonists. .
From beginning to end, the hero and heroine seem to have a small space exclusively for the two of them, and no one can enter. He turned a deaf ear to his girlfriend who kept trying to join the conversation, and didn't even want to leave.
The male protagonist has a lot of interesting movements, and this is an extroverted person. She opened her mouth to catch the rain, peeked at the heroine's profile when she was not paying attention, and smiled. After meeting again, she neatly took off her clothes, rushed into the waves and shouted happily, and brought cockroaches to the scene of the event. It's rare that the heroine grows up and works in a field that sounds "high-end", but still can smile at these actions.
Although everything came to an abrupt end after the car accident, the foreshadowing was good enough, even in this tone.
In the film, the close-up of the abdomen is constantly repeated, from the protagonist's high and bulging pregnant belly, to the flat belly of the teenage girl, to the boy's belly, and the milk that is about to turn over on the stomach when the fetus is moving, it seems to be vague. Appointed to the photo title.
Replicants are at any time an ethical proposition and are therefore excluded, known as "artificial incest". And the heroine herself can't face the problems that follow when raising her lover, the uncontrollable love, the contempt of the surrounding environment, and the "third party" that suddenly appears with her lover's growth, all make her doubt her original choice. is it right or not.
Is this a big gift from technology, or is it a prank? I can't judge. As the hero's mother said, "We accept the gift of life and everything it takes away." Perhaps, this is the best way to face loss.
But when the heroine puts herself and her son (so strangely called) into the same sweater, and then hides, she probably already understands that this kind of love cannot be understood and cannot face the sun.
But if I love you, so I keep you at all costs, so even if no one understands, it doesn't matter if you hate me.
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