My viewing is limited, my words are limited, a corner.
When Rebeca looked in the mirror, she saw her mother instead of herself. Mother is who she wants to be, so shining, so radiant. When you become the other in your heart, you become yourself. When the returning mother gave a concert again, the lights came from her back, and she was doomed to cry with her back, because she finally had to face behind her: those things that were lost because of it, those eyes that were not understood but always stared. Almodóvar always loves to nest movies, plays, stages, etc. in movies. When the characters are performing, they are also part of the play at the same time. Are we in the movie when we watch it at the same time as the characters in the show? Did you feel the same moment? Or, to remind us again, to see the story in front of the screen, but also to see the story behind the screen (although we can't see this behind the screen), see the person in the mirror, and also see the person behind the mirror. Whether Letal, the judge, the informant, when he has a strong love, can transcend all the tediousness and gain a continuity. And the broken Rebeca is still anxious, restless, and flustered no matter how she splices it together. Perhaps she can only find herself when she is loved by her mother, who leaves her forever with the face of love.
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