Boys lack the courage to speak out, girls are tainted with the kitsch of a daughter, all storyboards can be replaced by live-action movies, and animation should draw a story that only animation can show. This is the point Ghibli and Dinis instill in the audience. But there is no denying that this is a delicate and interesting work. I like this kind of relationship from stranger to contact, sometimes intimacy, sometimes hostile, unclear, and finally relieved. 01:45 Transition mode. Prospects change and remain unchanged are two options. 02:29/06:05/11:05. 07:40 Righteously. 09:19 Special perspective. 10:06 The use of light and shadow. 11:41 Look straight into the camera. 16:31 Grab the transition style of key moves. 20:40 Cut mirror method. 26:46 Transition mode. 30:05 White space on clip. 44:50 Details. 48:05 Ways to open the conversation. 50:52 Interesting. 62:23 The music starts to get naughty. 64:56 The transition of the sound during the transition is nothing more than two ways from static to dynamic or from dynamic to static. 68:29 Excellent camera move.
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