Compared with "white dog", which regards dogs as the subject of discrimination, and the theme of the film is only about the topic of racial discrimination, the "white god" film makes dogs an object of discrimination and extends the content of the film to discrimination and the bottom. Riots etc are more closely related to Marxism. In fact, the riot launched by the dogs seems to be a movement, a rioted parade, even close to a revolu, and the government's restraint method also reminds me of what a surname is Ganhetangkou (´•ω•`๑) Of course, this film follows the discriminatory theme of "white dog". Whether it is the prejudice against dog breeds in the policy, or the various stigma against dogs in Hungarian public culture, it is actually extremely Similar to the US imperialist discrimination against blacks. There are a lot of scenes in the film that are very indifferent and realistic, such as the father's work in the slaughterhouse at the beginning, and the dog trainer's training of the protagonist, etc. This kind of image itself shows a discriminatory inner quality of discrimination. . But of course, as the discriminated, the dogs do not clearly symbolize a certain group, but more likely to be about widespread discriminatory social problems. But of course, the riots and revolu ropes after discrimination did not end with the dogs standing up from now on, or with a complete riot, but in a relatively mild way—probably given such social problems solution tendency. I suddenly thought that this year's Palme d'Or "The Thief Family" reflected Japanese social and family problems. Last year's "Square" satirized the differences in the slogans and behaviors of the bourgeoisie. The year before last, "I Am Black" criticized the British welfare system. Dipin the Wandering explores the topic of refugees. In fact, Cannes in recent years has been on the positive side of governance, and of course this film is also. It is probably also at the moment when the three emperors are increasingly concentrating their fists, and the literary and art circles are gradually turning to the left, carrying out ideological reflection and confrontation.
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