(6.5) The last buried pit adds a bit of fun, but doesn't do much for the whole thing. When a more complex interpersonal network emerges, the stimulus is one-time, while the impact of normal interpersonal relationships being gradually broken after the dissipation of lies and the burst of emotion is lasting. A few years ago, Polanski's "The Killing" produced more brilliant results with fewer people and simpler events. That one highlighted the director's mastery, and this reflected play was more demanding. Movies and even most art forms have always represented an avant-garde and left-wing ideology, such as when the less common sexual relationship began to be embraced, it became the creator's interest to pierce it. For the audience, everyone likes to see the splendor of the intellectuals, the middle class, the upper class is woven by lies, and they also like that these people who are good at controlling the most authentic human emotions are finally under the weight of their own lies. collapse. When you think about it this way, the thrill of these films and Transformers is not much different. The point is to experience a side of the world that has never been shown. Because realistically, people who are better at manipulating their emotions have a stronger ability to deal with crises. It is more pleasant but not cold enough to let them get out of order when their lies are exposed in front of the camera. That's why I especially like Renoir's "The Rules of the Game," where glossy lies are not only debunked but mended, and the aftertaste is much longer.
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