Lesbian love is almost divine

Dorothy 2022-04-03 09:01:12

"kiss her then kill her"

I can't help but say that this is not the first time I have come into contact with women's films. In this film review, I prohibit the use of the words of women's rights, not because I hate or support women's rights, I want to argue a few more words, it may have been before, after all, it's already 1 in the morning. Point, now I'm too tired. I'm just saying, just because women's rights are relative to men's rights, and this movie, sorry, I don't see any men.

Oh, except for those two stupid supporting characters.

How am I supposed to pay for my aesthetics in words? I don't want to use my brains in any writing other than devising novels. But I decided to split into two parts,

One is the aesthetic elements of the film itself (picture, audio-visual, feeling, etc.)

The second is the reflection on the aesthetic thoughts of the same-sex relationship in writing, which has been continued on my side outside the film.

first two

2

I may have to repeat that nonsense again:

The same sex is more likely to discover the beauty and power, love and evil of the same sex.

I hope no one wants to make comparisons with the opposite sex, and I'm sorry, the context of men is not involved here. Maybe it's interesting to compare that way, I've done comparisons in the past, but not here, not here.

Regarding the aesthetic relationship that can arise between the sexes,

"The difference in the sameness" is more difficult than the "sameness in the difference". Due to the circulation and status of women in the ancestors of mankind, she has maternal and divinity. And between women and women, will be connected by these two or more subtleties, and then collide with sins that are better than incest. Love is the starting point, death and poetry are the end points, there is no pleasure and victory, only female desire. language, groaning gestures and movements.

There is no real violence between women and women, only the collection of perfume and a thank you. They are so beautiful, so beautiful, you can even break the grammar and say, oh, they are so beautiful! In the lake of Moonlight Forest, women swim like angels and sleep in the sky, before love and evil thoughts happen, Dai loves her, She disguised her deceit as a universal goddess. And since Ofina appeared, she started to be male in essence, I have no intention of degrading males, so I decided to correct this statement: she started to move towards the opposite sex. Heterosexual does not mean male, but a different sexuality than female, I would like to call it: mastery.

Between the three women, you can see Dai's strong appreciation for her, her strong appreciation for Offina, and Dai's strong hatred for Offina. No, emotions don't matter at all, What matters is the degree: intense.

And can this kind of intensity be produced between women and men? No, you can't. Men lack this ability to create intensity. They may be good at violence, but they are not good at staring, which is a natural human right of every woman.

Meaningful, defending women's lovers, finding sick love in the smoke. Evil is coming step by step, I said, not the bell is ringing, but the time has come.

Same-sex love is divine, holy, maternal, the culmination of all natures. I can't imagine how a man can kiss a woman's body all over the body and appear to be so beautiful that two women can. Delicate, men can also be delicate. Yes, yes.

But don't forget the biological difference between women and men. Compared with the caress of women, that dark man does not have the hand part, that is the claws.

Yes, men are banned from the stage of the ultimate human sex art, only between women. It's okay between men, but that's not my interest. In other words, my interest lies in the male mother, in the primordial life, desire, passion, sin.

Men and women are attracted by cunning, and women and women are attracted by excellence.

1

It's a pity that the two kisses that can be set, no, must be light, not intense. The movie didn't even show up, the first time was the first time Ofina was swimming up, when she had an asthma attack and couldn't catch her breath, I thought she should have kissed it, it was her.

The second time was when Ofina was about to suffocate after being beaten, and I thought Dai should have kissed it, this is Dai.

Neither Day nor she kisses Ofina in opposite identities and psyches at the juncture of illness and death, and I think that's where the movie could improve. If you want to win readers like me who are controlled by passion, there is obviously too much beauty but not enough cruelty. And ruthlessness is the supreme beauty, like dissecting Venus, like medieval corpse-loving aesthetics.

The rhythm of bouncing her breasts or breasts when she walked at a constant speed in a rose red gauze, every time she suffocated, people couldn't help but want to kiss and close their eyes. Or simply hear the song of my goddess in the up and down movement of her breasts, the perspiration of ballet dancers, all the free-flowing red fluids, like the semen in a woman's dream, the blue that nobody knows.

Her overhead shot on the sparkling lake is like a silver oil painting.

"We make all resistance disappear except air"

Asthma and lung disease, a symbol of genius and bad luck. Ah, the beautiful jealousy of a woman.

And many female game pictures with artistic and aesthetic significance, not many to list, please bathe naked and touch yourself to watch the movie.

In the end, Dai's departure and went to Orfina's hometown. This shows that the animal nature between women, no, the animal nature is too rough to describe the evil of women, and the demon nature between women should be used. Feminine love is also divided into justice and injustice, disease or love. Dai understood her morbidity, and Dai achieved the dignity of a woman. It can be said that in this film, Dai symbolizes a righteous man in a certain sense, while she is an unjust man. Although Ofina is beautiful, she is an extremely weak representative, the embodiment of the essence of femininity:

Beautiful, smart, brilliant.

And her ending also represents the ending of women among humans:

Tortured to death by the love of the same kind.

The opposite sex is impossible, the opposite sex will make her happy. And the same sex will make her miserable to death, let's just talk about aesthetics for the time being, then, to a certain extent, women are better.

As for the evil female teacher of the movie:

An arrow to be shot, smeared with same-sex semen.

One could totally veto her with evil demons of lust, and I couldn't help but think about it a little more.

Why did she wear this prey, she didn't start. Ofina was chosen. Because Dai has male admiration and blindness towards her, Dai is obviously not interesting enough to read the book. And Ofina is different. Ofina is the angel who holds her lies tightly. She has always loved the angel of Ofina, but Ofina has more connections with her secrets and unbearableness. Her evil desires were completely aroused, and she attacked Orfina's body, meditating on her fantasies, and being watched by Dai. It can also be said that, compared to wearing this pseudo-male tomboy, the incarnation of my power and called a man, Ofina, a woman, can induce female (same-sex) passion, irrationality and even tyranny and madness.

Ofina is the victim, she is the murderer, and Dai is the representative of male good justice, the film uses her as a sign of redemption, however.

I don't deny that Dai is the film's retreat point, a return to humanity.

So is it explained?

No, there is no explanation.

I need to watch this movie and "Every Moment" at least three times, and I have an idea for the creation of my next novel. Just such a small town woman, but she looks...

View more about Cracks reviews

Extended Reading

Cracks quotes

  • Miss G: The most important thing in life is desire.

    Miss G: You can achieve anything you want.

    Miss G: The world is yours for the taking.

    Miss G: Nothing is impossible for you, my girls.

    Miss G: All you need is to desire it.

  • Poppy: I met a traveller from an antique land Who said: 'Two vast and trunkless legs of stone Stand in the desert. Near them, on the sand, Half sunk, a shattered visage lies, whose frown, And wrinkled lip, and sneer of cold command, Tell that its sculptor well those passions read Which yet survive, stamped on these lifeless things, The hand that mocked them and the heart that fed. And on the pedestal these words appear, "My name is Ozymandias, king of kings: Look on my works, ye Mighty, and despair!" Nothing beside remains. Round the decay Of that colossal wreck, boundless and bare The lone and level sands stretch far away.'