I don't think there is a three-dimensional problem

Jared 2022-04-10 09:01:08

So let's talk about the so-called three-dimensional problem.

The second woman disrespected her before, and deliberately broke Felicity's important objects. As a child, it is normal to have revenge. Although I have reservations about whether literary and artistic works need to conform to the three views, since the three views are mentioned, the focus is not on the actions of specific characters, but on the attitudes of others towards such actions. Felicity's dance teacher, after learning she was impersonating someone else to go to school, offered a direct and harsh criticism of the behavior. The female partner and the female partner's mother, no matter how much they played at that time, also said that Felicity robbed other people's opportunities and changed the fate of others. In other words, Felicity's logical and improper behavior was denied by other characters in the movie, so there is no so-called three-view problem in this movie. As for the dance part, the three views are simply too positive. When Felicity went to school for the first time, she didn't even know how to tie the straps of her pointe shoes, and her movements were messed up. Felicity made progress later because of diligent practice and a rare mentor, not a golden finger. The night before the selection, I didn’t practice, I went to the iron tower with the Russian prince, and the next day I didn’t do the wrestling in the selection. In the end, she won because she practiced hard in the orphanage, and her artistic expression was stronger than that of the female supporting cast. If you pay attention to ballet, you should know that there is no shortage of technical skills, but ballet actors with outstanding acting skills are really hard to find. Only with deep life perception and love can you integrate emotions into actions. Compared with this, Cinderella and the like are the three views that are not right. That is, they can attend in full dress without paying. I pity me. I have worked hard and I can be married by the prince and go home. Continuing to talk about the three aspects of emotion, in the face of the sweet words of the Russian prince, the first reaction of Felice, who is inferior because of her background, was "he must tell everyone this kind of sweet talk", the prince said that he only told Felice She was only happy after someone said it, what a real mood swing. In addition, after the prince was criticized as a childhood sweetheart, the heroine did not dislike the poor and love the rich and forgot her roots, but bravely stood up to protect her childhood sweetheart, saying that the heroine was a foolish person. Are you sure that the foolishness will value and protect the male lead so much? In an idol drama, the male protagonist is already a spare tire. The actress hides her identity as a dancer and then advertises that she has completed all the dances. Portman's actions in the practice room that are so ugly that he can't bear to look directly can be praised by the male protagonist.

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Extended Reading

Leap! quotes

  • Regine: [to Odette, as she and Felicie are cleaning the stairs] Get up.

    Odette: [meekly] Yes, ma'am.

    [gets up, but keeps her head down]

    Regine: [referring to Felicie] Who is this?

    Odette: No one. She helps.

    Regine: YOU feed her. Out of YOUR wages.

    Odette: Yes, ma'am.

    Regine: I want you to air and press the linen.

    [whispers]

    Regine: NOW.

    [Odette leaves. Regine looks down at Felicie coldly. A visibly frightened Felicie resumes cleaning the stairs]

    Regine: It's not clean.

    [purposely pushes the bucket of scrubbing water with her foot; the water spills down the steps, much to Felicie's shock]

    Regine: Oops! Oh, look what you did.

    [smiles wickedly and leaves]

  • Felicie: [on her first day of dance class, shyly greeting the other girls] Hi. Hello.

    [to herself; when none of the girls respond]

    Felicie: Okay. Super.

    [louder]

    Felicie: I'm Felicie.

    Nora: [confused] Felicie?

    Felicie: [realizes her mistake] Uh, no, no, no, no, no. Sorry. I'm... friendly, ever so friendly. And my name is Camille.

    Nora: Okay. I'm Nora, but everyone calls me... Nora. That's... the name that goes with MY face.

    [laughs]

    Nora: Hey, you should warm up.

    Felicie: [to herself, confused] Warm up?

    [shrugs and tries to literally 'warm up' by rubbing her hands on her arms]

    Dora: [amused] Oh my. That is crazy. I'm guessing you're new, my darling?

    Felicie: [awkwardly] You can tell that because...?

    [Before Dora can answer, Mérante enters the room. The girls quickly gather to one side of the room]

    Felicie: Who is that?

    Dora: [rolls her eyes] You are joking, right? It's Louis Mérante, ballet master, world-famous choreographer, the man who performed the most fouettes ever in a single solo.

    Felicie: Foo-what?

    Dora: Turns. Really difficult turns.

    Nora: 187 in total. And right after, he vomited!

    Mérante: Silence, mademoiselle! First position, second...

    [All of the girls except Felicie go through the basic ballet positions]

    Felicie: [lost] What?

    Mérante: Third, fourth, and rest in fifth.

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