First of all, I have to admit that the movie New World still has merit. It uncharacteristically makes the protagonist really go to the dark as we hoped. It feels very refreshing. Can eat the cheap-loving Pleasant sheep who always harass others, just like I hope the old Tom can kick the rat in the diaper as far as I hope the hard-working villain can be dead for nothing. The protagonist of the lotus.
But when I read the film reviews, I found that everyone was talking about human nature. I found some words of "ruthless, social" or some very bloody pictures from the words of the film to express how profound and insightful the film is. high rating. I think this is one-sided. If a movie is compared to a house, then when we evaluate the house, we should look at the whole, not just the quality of a specific brick, right?
Why do we hate wolf warriors? You have to know that there are so many bad films in China that have no lower limit and no morals. Wolf Warrior is not sure where they are higher than them. It can be said that the quality of its own is good in China, so why does it receive more than other bad films? ridicule? Because we felt fooled (at least in terms of heat), we felt it wanted to cover up its own inadequacies under the banner of patriotism. It wants to elevate its position with a certain symbol.
As far as the melting pot is concerned, maybe my evaluation is not objective, maybe I am too cold. Putting aside the sympathetic story/true event it tells, and its real-world impact, if I watch this movie without empathy, I don't think it's good looking.
Well, maybe the critique about the melting pot is not objective enough, because I feel the same way about Schindler's list, pianists, life is beautiful, maybe my problem.
But when it comes to Korean movies, our evaluations are always based on human nature, human nature, and human nature, as if the movies in other places don’t talk about human nature, what are they talking about? Movies about people don't talk about human nature, do they talk about the animal world? I think joys and sorrows, joys and sorrows are all about human nature, but when it comes to Korean movies, we especially emphasize human nature, which may especially refer to the evil of human nature. Indeed, Korean movies are especially good at the kind of bloody and unlimited pictures, which stimulates us every time we see them. Of course, this kind of blood-spraying stimulation will be more easily felt by us than other senses, and this feeling is also reflected in the evaluation. And this method is also the usual way of Korean films - as long as you make some extremely bloody twists and turns, you can win praise for your own film.
But the bloody images are not the whole of the movie, and those sentences similar to the quotations of people on the street are just one sentence. We can't praise it just because it is brutal enough, and it has a sentence about "society". No matter how attractive a brick is, it can't represent how the house is.
(Human nature is a very broad and vague topic. Always mentioning this symbol broadly just shows a lack of understanding of this topic.)
January 12 Beautiful Life I cried when I saw the pattern before it was really broken
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