If you watch his films along the way, Yang Dechang, who was able to shoot "Terrorist", has already clearly understood the pulse of interpersonal relationships in urban life, and then to the famous "Guling" "Street Teenage Murder", every humble individual whirlpool under the big era was wiped clean by him. It stands to reason that we will be seen by his director's ruthless eyes like Adam and Eve who just stole the forbidden fruit, but he actually gently covered you with a leaf in "One One".
This is his perfect summary and sublimation, and when you get to a situation where you can't think of what to do no matter how much you shoot, what else do you want from him?
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