I can't fully understand the meaning and plot of the film at my current cultural level, but I have to admit that the film is great, and I may check it out again after a while when I become more literate. Looking at it again, I found that this movie is the ancestor of many award-winning movies. Franz, Arthur, and Odile were driving on the road, and Franz and Odile went to the beach. The ending can be said to be the same as the scene where Azu, Azhan, and Honggu acted in Across the World, but certainly, that movie did not contain as many elements and discussed the content, but at that time, even if I was watching such a Lunar New Year movie The comedy Hong Kong film also thought it was good enough.
When I saw it, I thought its predecessor was the movie Zu Yuzhan, because the purpose of naming the characters is equivalent to borrowing the movie and the legend to metaphorize the relationship between the three of them. The relationship... In Outlaws, you can see the predecessors of many, many movies with similar plots and dialogue. The rhetoric of the protagonist's footless bird in The True Story of Ah Fei, and when he died in a shootout, he suddenly remembered that he had been the face of Su Lizhen, who was disregarded and treated casually. The scene of the three people immersed in the room and running in the Louvre, vowing to imitate and break records, and the well-known dance scene in the pulp novel I watched many movies before to pay homage to the dance in Pulp Fiction, but in fact, the most classic scene of the movie was stolen from this one... Although when I watched The True Story of Ah Fei, I felt that my brother was silent in front of her to seduce Su Lizhen.
And then I confessed affectionately that this part was very romantic, but when I saw this scene in the original work, I somehow thought of a scene in another movie that had nothing to do with the original intention, when the hero and heroine of Love Before Midnight played the record in the corner of the bookstore, they looked at each other secretly, and when the other person raised their eyes, they lowered their eyelids again, feeling a very touching subtlety. But Odile was a bald Arthur at the beginning, but I don't know why during that silent minute, her eyes were looking at Franz. My understanding is that I think it is a woman's showing that this man has a good impression of her.
Proud and provocative, the man wants to see his funny embarrassment through the flow of his eyes, of course, it is also possible that the director wants to express through this minute not the emotional relationship between the three of them, but something deeper. The plot is very easy to make people sleepy at the beginning, but as long as you watch it, you will find a lot of interesting plots. The happiest thing about watching this type of movie is that you must do enough homework before watching it so that when you watch it, you can find it is honoring and learn What are the scenes. Generally, movie lovers who read a lot of movies will watch the movies of their predecessors first, and then browse the movies of the younger generation aimlessly and find their tribute scenes, but I found that maybe the reverse is also a good choice.
The greatest thing about this movie is that it is the predecessor of Heyduo's classic award-winning movies, so this also proves that in the history of film development, the criteria for judging good movies are still basically in the same line. Not much changed. That's why I've always preferred this type of film over genre films, but are those nuanced repetitions funny and cheery with the little sense of accomplishment that makes for a momentary discovery?
View more about Band of Outsiders reviews
