Original address: http://www.qh505.com/blog/post/4900.html
A minute of silence, Franz and Arthur sitting inside, Odile sitting opposite, two men and a woman, or two men sitting together and a woman sitting alone, in a minute of silence In that restaurant, they don't seem to do anything, they don't even think about it: in that restaurant, silence replaces all sounds, no dialogue, no music, no noise - on and off camera, all sounds All disappeared, except for silence or silence.
Is it silence, is stillness, the whole world seems to be silent, then, the whole life of the three people will be like this in the silent world, become a kind of undisturbed existence? Silence and silence filter all the noise and struggle, and eliminate all the chaos and disorder. Is that an ideal of life? Just like the last Franz and Odile, they are on the sea like a theater, and the story may develop in the direction of a position, but in this undisturbed stage, "there is no edge and no battle", Odile finally took out the ball that was linked together. "So, we're in love?" She said that if she held the ball with her hand, the liquid in one ball would flow to the other ball, and Franz took the ball. As soon as he touched the ball, the liquid was flowing, as if Franz's feelings flowed to Odile.
The sea is endless, sliding smoothly to the silent minute, the sea is eternal, as long as a lifetime. But where is Arthur? But why is a minute in a restaurant only 36 seconds? There were three people at that time, three people on one side and the other, three people on one side and three people on the other side. After less than a minute of silence for a minute, did the rest of the time turn into a speechless emptiness instead? At that time, Uldir also took out the ball, and when Arthur held it in his hand, nothing changed - a minute was not a transition to eternity, not a symbol of unity, a minute ago, Arthur and Uldir Sitting together, she chose Arthur's cigarette and smoked it; a minute later, Franz stood up to play the record, ready to dance a lighthearted Madison dance, Odile sat next to Arthur from the opposite side .
Sit together, stand up, and someone sits down again, before and after a minute, all positions have changed, 36 seconds of silence is just a short-lived symbol, for three people of two men and one woman, Subtle changes are happening all the time, just like when they danced together later, "Now let's describe the psychology of the protagonists..." A voice other than three people came, and like the music of the dance, it broke long ago. Thirty-six seconds of "a minute of silence," and then, "Arthur keeps staring at his feet, thinking of Franz and Odile; Odile's chest quivering under the sweater; Franz wonders what Did the whole world become a dream, or did the dream become the whole world?"
The three have their own thoughts. In the same rhythm, they have become individuals separated from the unified silence for a minute. They think of love? Thought of desire? Think of a vain dream? Franz stopped dancing first, Arthur then returned to his seat, and finally Odile danced alone with a smile on his face, while the two men sat, took out a coin: "Let's guess Odile. Who will it belong to?" Positive or negative, in the face of the dualism's ending, it seems that a woman's Odile can only belong to one of them, as if her destiny is either one or the other?
Was it the presence of Uldir that caused the coin-like accidental and random life between the two men? They were friends, driving the same car and doing nothing. When they stopped by the river, Odile hadn't shown up. She only said to Franz, who already knew her, "She has good skin." She It's a girl with a delusional disorder." They stood by the river, looking at the house on the other side of the river, and through the woods dreamed of where Odile lived in the back, Franz had known Odile for two weeks, he just listened to Odile said Stoltz, who lived with Aunt Victoria, had bundles of cash in the locker, the locker was unlocked, the door was unlocked, and it seemed to be left open, "That's his tax money, he stole it. took the country's money." So Franz told Arthur, so they decided to take the money.
It seems like it's starting to turn into a crime movie, but isn't there such an ambiguity when Franz says "her skin is fine"? But when he said "she's a delusional girl", is it another rejection? Arthur said then, "I'll get it if I like her." Get it like you get that money? I want to get it before I see it, is it not related to love? Mimicking the scene where Billy the Kid shot the mayor on July 14, 1881, Franz used his finger as a gun like Billy the Kid, and Arthur struggled and fell to the ground - they were rehearsing a possible In the end, there are guns, struggles, and death, but it must have nothing to do with Uldir.
Two men and a woman, then an encounter, and then a story of three people, sitting in a car, with Odile in the middle, Arthur driving, and Franz beside them, they seem to be one, but, "She is like an icy sea, lying between them." The middle is the separation of the two sides, the experience that may be like Billy the Kid, the reverie of the two men, and the fate of the front and the back. Therefore, in a delicate relationship, only a minute of silence is an ideal state, filtering out all the noise and fighting, eliminating all chaos and disorder, and the short 36 seconds is more like the one they imagined. In this narration related to crime and robbery, they each arrange themselves, fight their own destiny, and deduce their loneliness.
When the three of them were learning English at the Louis School, it was the beginning of a change in the staggered fate. At first, Franz and Arthur sat together, Arthur was closer to Odile next to him, Arthur turned his head and smiled at Odile. Arthur also smiled at him; then Arthur left his seat and came to the window seat, where he could look directly at Odile, who also turned his head and smiled at him, while Franz on the other side Looking at Odile, he looked helpless. The English teacher was talking about Shakespeare's classic plays. Arthur wrote a note and handed it to Odile. Odile opened it. Inside was a sentence translated into a classic line: "Can you lean on your chest, this is a question." Direct and irresistible, Odile still smiled; Arthur later wrote: "Your hairstyle makes you look too earthy." Odile put down the coiled hair, and then looked in the mirror, as if hoping Se was satisfied with the changed hairstyle. During the recess, Franz introduced them for the first time. Odile did not take Franz's cigarettes, but asked for Arthur's cigarettes. When Franz left, Odile also told Arthur. I don't like being a nurse, "because I don't have love and patience," but Arthur said, "I like being a nurse. If I can take care of a rich old man, I'll make him die faster."
Odile seems to like Arthur, and this delicate relationship seems to happen naturally among the three. Arthur even offered to "try kissing" and kissed Odile; even later, when he left the restaurant of "Silence for a Minute" , the two of them were doing the subway, Odile asked him: "I heard that you change a girlfriend every day, what do you like about me?" Arthur asked her back: "What about you?" Odile said: "You want a husband, which means You can sacrifice your chest and thighs to him." Even after they actually stayed for one night, they decided to implement the action tomorrow night, and the uncle who lived with them heard the plan, and the uncle wanted to get involved. But is this a naturally occurring love? Arthur once said, "I'll get her if I see her." But Odil, who came out of his aunt's house by the river, forgot Arthur's name; on the shooting range Odile said, "I love you. Arthur said, "Stop talking nonsense." Arthur even said to Franz, "She's a partial."
Maybe Odile was a liar to say that Stoltz had so much money, or that it was easy to get it with the locker open, or that it was so easy to fall in love with him, and Arthur? ? He said in front of Odile: "Your socks are broken." When Odile lowered his head, he took the opportunity to drink her Coke. When he danced that dance, he was not thinking of his Odile, but Odile and Franz; while driving, he felt that Odile beside him was like a sea. In fact, it is estrangement. That sea is not necessarily boundless and free of struggle, but full of mutual suspicion, mutual betrayal, and mutual lies. And what about Franz? He had said that Odile was a paranoid girl, and that "she was an idiot", but he told her he wanted to go north like Jack London, the love who couldn't find room 35 The story of the bragging guy also told her that "the three of them have a feeling of no turning back."
So in the robbery plan that came a day earlier, it was Arthur who called Odile after finding out that the door was locked, and it was Arthur who used a ladder or couldn't open the window and told her to find the key tomorrow, and it was Arthur who sent Aunt Victoria. Tied up and let her stay in the kitchen, and when Odile yells "You're all lunatics", Franz finally touches Odile's hair and says, "Why don't you love me? I want to hug you so much. "After they couldn't find the money, Victoria lost her breath. The three drove away from Arthur but returned to make sure that Victoria was really dead. In fact, he found a clue to where the money was stored, but when he came back, His uncle's car also arrived, so Franz and Odile stood by, watching their "fight": Arthur did find the money in the kennel, but his uncle's gun shot at him, and a shot went off , Arthur lost the money in his hand, the second, the third, the fourth, but Arthur did not fall down, he even took out the gun from his pocket, and walked to his uncle step by step, and finally he pulled The trigger was pulled, and with just one click, the uncle fell, and Arthur finally fell after being killed.
Franz and Odile, witnessed the death of two people, the money that was thrown on the steps, the Stoltz who came, and the Victoria who came out of the room, what has happened? What could happen as a scam? What should not happen? Guns and money are far away from them, a friend is far away from them, and a kind of death is far away from them, the legendary phoenix, because it needs to fly all the time, it is alive, but when it stops When is death, is Arthur the phoenix? "I hate life being dramatic," Odile said. While Franz drove her to decide whether to go north or to South America, Odile shouted "one two three four five", and then serendipitously and randomly The way they go determines their direction, like the side of a coin being tossed into the air.
There is no silent minute, no daydreaming of getting a huge amount of money, no perfect plan, when the three people's sense of no turning back is disrupted by the last change, when Odile and Franz saw the sea, When the liquid of that ball flows to the other ball, is this the beginning of a beautiful life for two people? In fact, no matter it is three people or two people, it is just one person, three people sitting in a car, thinking of a plan, they can even hold hands and use 9 minutes and 43 seconds to create a passage through the Louvre Museum. Records, but when they have the feeling of "no turning back", it is actually a person, a person's loneliness, a person's grief, and a person's silence. When in the subway, Odile sang that song, she saw listless people in the carriage, people with haggard faces, "Unfortunate only unfortunate is like it." So, "I am exactly like you", sitting in What position, what kind of cigarette is smoking, thinking about each other when dancing, watching others in class, everyone is isolated from others, it is just a boring story. So in the car, Franz once said: "Your name, I once read it in a novel, it was a spooky story." And when Arthur died, Franz said again: "Everyone is a lonely individual who never trusts others and lives in tragedy."
Lonely individual, because this era is decadent and betrayal, while walking on the road, Franz said: "Damn Paris, fuck the road." When he left the Louis School early, he was smoking a cigarette Odile said, "Fuck." When they were by the river, Arthur and Franz were reading the newspapers, which were talking about the war in Rwanda, about the murders, and the whole society seemed to become a cold sea, lie between them. So in the seemingly happy love at the end, on the boundless sea, they still went to the unknown, "My story is over, like a third-rate novel, the ending is both happy and happy, and the next will be "Outlaws" The sequel to "The Color Widescreen Movie, The South American Horror of Odile and Franz." Then there was silence, 36 seconds of silence as long as a lifetime, no more dialogue, no cursing, no anger.
A minute of silence, Franz and Arthur sitting inside, Odile sitting opposite, two men and a woman, or two men sitting together and a woman sitting alone, in a minute of silence In that restaurant, they don't seem to do anything, they don't even think about it: in that restaurant, silence replaces all sounds, no dialogue, no music, no noise - on and off camera, all sounds All disappeared, except for silence or silence.
Is it silence, is stillness, the whole world seems to be silent, then, the whole life of the three people will be like this in the silent world, become a kind of undisturbed existence? Silence and silence filter all the noise and struggle, and eliminate all the chaos and disorder. Is that an ideal of life? Just like the last Franz and Odile, they are on the sea like a theater, and the story may develop in the direction of a position, but in this undisturbed stage, "there is no edge and no battle", Odile finally took out the ball that was linked together. "So, we're in love?" She said that if she held the ball with her hand, the liquid in one ball would flow to the other ball, and Franz took the ball. As soon as he touched the ball, the liquid was flowing, as if Franz's feelings flowed to Odile.
The sea is endless, sliding smoothly to the silent minute, the sea is eternal, as long as a lifetime. But where is Arthur? But why is a minute in a restaurant only 36 seconds? There were three people at that time, three people on one side and the other, three people on one side and three people on the other side. After less than a minute of silence for a minute, did the rest of the time turn into a speechless emptiness instead? At that time, Uldir also took out the ball, and when Arthur held it in his hand, nothing changed - a minute was not a transition to eternity, not a symbol of unity, a minute ago, Arthur and Uldir Sitting together, she chose Arthur's cigarette and smoked it; a minute later, Franz stood up to play the record, ready to dance a lighthearted Madison dance, Odile sat next to Arthur from the opposite side .
Sit together, stand up, and someone sits down again, before and after a minute, all positions have changed, 36 seconds of silence is just a short-lived symbol, for three people of two men and one woman, Subtle changes are happening all the time, just like when they danced together later, "Now let's describe the psychology of the protagonists..." A voice other than three people came, and like the music of the dance, it broke long ago. Thirty-six seconds of "a minute of silence," and then, "Arthur keeps staring at his feet, thinking of Franz and Odile; Odile's chest quivering under the sweater; Franz wonders what Did the whole world become a dream, or did the dream become the whole world?"
The three have their own thoughts. In the same rhythm, they have become individuals separated from the unified silence for a minute. They think of love? Thought of desire? Think of a vain dream? Franz stopped dancing first, Arthur then returned to his seat, and finally Odile danced alone with a smile on his face, while the two men sat, took out a coin: "Let's guess Odile. Who will it belong to?" Positive or negative, in the face of the dualism's ending, it seems that a woman's Odile can only belong to one of them, as if her destiny is either one or the other?
Was it the presence of Uldir that caused the coin-like accidental and random life between the two men? They were friends, driving the same car and doing nothing. When they stopped by the river, Odile hadn't shown up. She only said to Franz, who already knew her, "She has good skin." She It's a girl with a delusional disorder." They stood by the river, looking at the house on the other side of the river, and through the woods dreamed of where Odile lived in the back, Franz had known Odile for two weeks, he just listened to Odile said Stoltz, who lived with Aunt Victoria, had bundles of cash in the locker, the locker was unlocked, the door was unlocked, and it seemed to be left open, "That's his tax money, he stole it. took the country's money." So Franz told Arthur, so they decided to take the money.
It seems like it's starting to turn into a crime movie, but isn't there such an ambiguity when Franz says "her skin is fine"? But when he said "she's a delusional girl", is it another rejection? Arthur said then, "I'll get it if I like her." Get it like you get that money? I want to get it before I see it, is it not related to love? Mimicking the scene where Billy the Kid shot the mayor on July 14, 1881, Franz used his finger as a gun like Billy the Kid, and Arthur struggled and fell to the ground - they were rehearsing a possible In the end, there are guns, struggles, and death, but it must have nothing to do with Uldir.
Two men and a woman, then an encounter, and then a story of three people, sitting in a car, with Odile in the middle, Arthur driving, and Franz beside them, they seem to be one, but, "She is like an icy sea, lying between them." The middle is the separation of the two sides, the experience that may be like Billy the Kid, the reverie of the two men, and the fate of the front and the back. Therefore, in a delicate relationship, only a minute of silence is an ideal state, filtering out all the noise and fighting, eliminating all chaos and disorder, and the short 36 seconds is more like the one they imagined. In this narration related to crime and robbery, they each arrange themselves, fight their own destiny, and deduce their loneliness.
When the three of them were learning English at the Louis School, it was the beginning of a change in the staggered fate. At first, Franz and Arthur sat together, Arthur was closer to Odile next to him, Arthur turned his head and smiled at Odile. Arthur also smiled at him; then Arthur left his seat and came to the window seat, where he could look directly at Odile, who also turned his head and smiled at him, while Franz on the other side Looking at Odile, he looked helpless. The English teacher was talking about Shakespeare's classic plays. Arthur wrote a note and handed it to Odile. Odile opened it. Inside was a sentence translated into a classic line: "Can you lean on your chest, this is a question." Direct and irresistible, Odile still smiled; Arthur later wrote: "Your hairstyle makes you look too earthy." Odile put down the coiled hair, and then looked in the mirror, as if hoping Se was satisfied with the changed hairstyle. During the recess, Franz introduced them for the first time. Odile did not take Franz's cigarettes, but asked for Arthur's cigarettes. When Franz left, Odile also told Arthur. I don't like being a nurse, "because I don't have love and patience," but Arthur said, "I like being a nurse. If I can take care of a rich old man, I'll make him die faster."
Odile seems to like Arthur, and this delicate relationship seems to happen naturally among the three. Arthur even offered to "try kissing" and kissed Odile; even later, when he left the restaurant of "Silence for a Minute" , the two of them were doing the subway, Odile asked him: "I heard that you change a girlfriend every day, what do you like about me?" Arthur asked her back: "What about you?" Odile said: "You want a husband, which means You can sacrifice your chest and thighs to him." Even after they actually stayed for one night, they decided to implement the action tomorrow night, and the uncle who lived with them heard the plan, and the uncle wanted to get involved. But is this a naturally occurring love? Arthur once said, "I'll get her if I see her." But Odil, who came out of his aunt's house by the river, forgot Arthur's name; on the shooting range Odile said, "I love you. Arthur said, "Stop talking nonsense." Arthur even said to Franz, "She's a partial."
Maybe Odile was a liar to say that Stoltz had so much money, or that it was easy to get it with the locker open, or that it was so easy to fall in love with him, and Arthur? ? He said in front of Odile: "Your socks are broken." When Odile lowered his head, he took the opportunity to drink her Coke. When he danced that dance, he was not thinking of his Odile, but Odile and Franz; while driving, he felt that Odile beside him was like a sea. In fact, it is estrangement. That sea is not necessarily boundless and free of struggle, but full of mutual suspicion, mutual betrayal, and mutual lies. And what about Franz? He had said that Odile was a paranoid girl, and that "she was an idiot", but he told her he wanted to go north like Jack London, the love who couldn't find room 35 The story of the bragging guy also told her that "the three of them have a feeling of no turning back."
So in the robbery plan that came a day earlier, it was Arthur who called Odile after finding out that the door was locked, and it was Arthur who used a ladder or couldn't open the window and told her to find the key tomorrow, and it was Arthur who sent Aunt Victoria. Tied up and let her stay in the kitchen, and when Odile yells "You're all lunatics", Franz finally touches Odile's hair and says, "Why don't you love me? I want to hug you so much. "After they couldn't find the money, Victoria lost her breath. The three drove away from Arthur but returned to make sure that Victoria was really dead. In fact, he found a clue to where the money was stored, but when he came back, His uncle's car also arrived, so Franz and Odile stood by, watching their "fight": Arthur did find the money in the kennel, but his uncle's gun shot at him, and a shot went off , Arthur lost the money in his hand, the second, the third, the fourth, but Arthur did not fall down, he even took out the gun from his pocket, and walked to his uncle step by step, and finally he pulled The trigger was pulled, and with just one click, the uncle fell, and Arthur finally fell after being killed.
Franz and Odile, witnessed the death of two people, the money that was thrown on the steps, the Stoltz who came, and the Victoria who came out of the room, what has happened? What could happen as a scam? What should not happen? Guns and money are far away from them, a friend is far away from them, and a kind of death is far away from them, the legendary phoenix, because it needs to fly all the time, it is alive, but when it stops When is death, is Arthur the phoenix? "I hate life being dramatic," Odile said. While Franz drove her to decide whether to go north or to South America, Odile shouted "one two three four five", and then serendipitously and randomly The way they go determines their direction, like the side of a coin being tossed into the air.
There is no silent minute, no daydreaming of getting a huge amount of money, no perfect plan, when the three people's sense of no turning back is disrupted by the last change, when Odile and Franz saw the sea, When the liquid of that ball flows to the other ball, is this the beginning of a beautiful life for two people? In fact, no matter it is three people or two people, it is just one person, three people sitting in a car, thinking of a plan, they can even hold hands and use 9 minutes and 43 seconds to create a passage through the Louvre Museum. Records, but when they have the feeling of "no turning back", it is actually a person, a person's loneliness, a person's grief, and a person's silence. When in the subway, Odile sang that song, she saw listless people in the carriage, people with haggard faces, "Unfortunate only unfortunate is like it." So, "I am exactly like you", sitting in What position, what kind of cigarette is smoking, thinking about each other when dancing, watching others in class, everyone is isolated from others, it is just a boring story. So in the car, Franz once said: "Your name, I once read it in a novel, it was a spooky story." And when Arthur died, Franz said again: "Everyone is a lonely individual who never trusts others and lives in tragedy."
Lonely individual, because this era is decadent and betrayal, while walking on the road, Franz said: "Damn Paris, fuck the road." When he left the Louis School early, he was smoking a cigarette Odile said, "Fuck." When they were by the river, Arthur and Franz were reading the newspapers, which were talking about the war in Rwanda, about the murders, and the whole society seemed to become a cold sea, lie between them. So in the seemingly happy love at the end, on the boundless sea, they still went to the unknown, "My story is over, like a third-rate novel, the ending is both happy and happy, and the next will be "Outlaws" The sequel to "The Color Widescreen Movie, The South American Horror of Odile and Franz." Then there was silence, 36 seconds of silence as long as a lifetime, no more dialogue, no cursing, no anger.
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