After reading it, it was nothing, I didn't react when I walked to the door, I finally slapped my leg when I walked to the subway station, "Oh, that's great." I didn't regret giving up the meeting with Erika Sawajiri at all. Although Lan Shengdian's red subtitles make me want to die, it doesn't hinder Bergman's vivid image. It was really amazing to dare to shoot like this in the 1960s, and the female lead is very good. The first time I saw Bergman, I thought it was too memorable. The mental illness can be filmed like this, surpassing the shortcomings of the slag picture quality. There are only four characters in it, it seems a bit incredible now, but four people performed the effect of a group. In the end, it doesn't really matter whether god is love or love is god. Anyway, everyone expresses it differently. Karen was so intense that she was schizophrenic, and her brother was so depressed that he was about to collapse. In fact, their family probably has a gene for mental illness. The father gives the impression that he is depressed, and even their son-in-law is about to be driven crazy. Bergman and Hitchcock and Truffaut are contemporaries, but one can see a strong personal color at a glance. I don't want the latter two to let go of the shooting, and Bergman to press the shot, and then only at the end. Found out, oh, that's what happened.
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