Very unremarkable movie by Akira Kurosawa

Rowena 2022-03-25 09:01:15

Unlike the usual samurai image in Akira Kurosawa's films, the protagonist is almost not aggressive, but a kind-hearted, industrious, optimistic and traditional hunter. The portrayal of skills is slightly redundant, the characters are slightly thin, and there are no very attractive personalized details. Other characters are also slightly masked, more functional but less attractive, and the more important (Chinese) characters in the original work have been removed. (Sure enough, art still cannot be separated from politics, but is there no way to balance this kind of harm?

Although the colors and tones are dark but not oppressive, the image changes (cold and warm colors, high-key) that begin in autumn herald the change of the plot, and at the same time form a set of oppositions with the plot.

The scene is very open and varied, and there are many empty mirrors and panoramic views of the environment, emphasizing the relationship between humans and nature.

Large scenes are used to express the environment and people, and there are very few small scenes. The smallest is a close-up view of a tiger. It is indeed the moment when Del Su is farthest from nature. This sense of opposition strengthens the audience experience and increases the sense of documentary. The shaping of the relationship between the characters in the big scene mainly depends on the composition, and the closeness and focal position of the characters strengthen the empathy experience of the audience.

Long shots are used more, but unlike the fixed shots of Ozu and Hou Hsiao-hsien, they are more sporty, especially in the scene of rescuing Del Sue to the shore, the captain’s anxiety is well conveyed through the fast-moving shots. The motion shots are not hand-held shaking, but stable, and even the shots that are similar to flipping are also extremely stable, which is in line with the gentle style of the whole film. The zoom pusher does a good job of controlling what the audience "sees", but I personally don't like it.

There are fewer lines, and the dialogue and narration are combined for narration.

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Extended Reading
  • Ephraim 2022-03-26 09:01:10

    History is always accompanied by the changes of civilization and land... Just like life has cycles, it is natural for countries and dynasties to have peaks and declines. Compared with who this land once belonged to, Kurosawa is more concerned about civilization itself. . This land has not been allocated to Russia, nor can the original culture there be preserved. No matter who owns this land, he cannot get rid of a regrettable and doomed ending, that is, the end of this ancient traditional culture. It will gradually disappear under the erosion of modern industrial civilization and be replaced by homogeneous modern civilization. This is the part that the film focuses on, and it is also the embodiment of its humanistic spirit.

  • Davonte 2022-03-26 09:01:10

    This is a simple and honest story. It seems that the fragile nerves of the couple are really inviolable; the slow pace and the solemn scenery complement each other; the coldness of nature echoes the simplicity of human nature, which is kind and moving; generally it is not obvious. It's Kurosawa's handwriting

Dersu Uzala quotes

  • Dersu Uzala: My home nowhere. Small hut in mountains where I can sleep. That my home.

  • Arsenev: They call me Arseniev. What about you?

    Dersu Uzala: Dersu Uzala.