Who is "restraint"
What kind of "restraint" is the criterion for a good movie? I personally think that the creator's restraint in expression is good, but it cannot be equated with the "restraint" of the characters in his shots.
The real "person" is not the object "object" of aesthetic action, and it is definitely not a delicate machine that can always maintain the calm and calm attitude appreciated by high-level intellectuals (including tasteful, dignified and polite middle-class/petty-bourgeois film critics). "Aesthetics" carry machines.
Can any emotion in the world be "restrained"? You can't ask unrealistically good-looking gestures from characters in a realistic work. It is possible for the protagonists to have fun in their misery, but since it is necessary to be realistic, it is necessary to be cruel. When you are experiencing a painful moment like the death of your beloved sister, it is impossible for the words and deeds of the parties who truly have individual self-consciousness and conscience to maintain "restraint" and "calm" all the time. The decent appearance of "only revealing a touch of sadness" is not the reaction of a living person. What's more, the director has always portrayed the protagonists' children as characters who have conscience and dignity, understand and pursue beauty, have delicate emotions, and have a high degree of self-consciousness about life and self. .
The consumer market of "warm aesthetics" (to be supplemented)
No matter how big a disaster, it is necessary to let a group of beautiful, healthy and tasteful children wear artificial dirty faces and rags to sing flowers, make friends and watch the stars... It is really the personal obscenity of the snowflake author who has not experienced hardships in the greenhouse. Ironically, the director Hirokazu Kore-eda concealed the biggest tragedy of the prototype incident in order to maintain an artificially created "warm" aesthetic—the brother killed his sister together with his friend. There is no doubt that this is under the banner of criticizing reality. Actually doing glorification and escapism movies. Dare to ask, does Zhi really dare to dig deep into the real human nature, face the cruelty that really happened, and reveal the real root of human tragedy?
Who moved by "warm aesthetics"? Undoubtedly, it was the audience who stayed on the sidelines and watched calmly. Satisfied with what? It is based on the psychological needs of audiences who consume real suffering through the filter of warmth.
Highlights
The eldest son was abandoned by his school friends who used to play games together.
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