The narrative sequence is brilliant, even if you know the subject matter, you can still use the details of the past to create suspense, and the plot is laid out with great patience, so that the character dialogue in every drama conflict is natural and real, which is empathetic. For example, Esti asked for When you're free, like Dovid says you're all free, etc.
I like the way this film handles intimacy scenes. It does not use photography aesthetics to beautify forbidden love like many LGBT films in the past, but chooses to use as plain a lens as possible to interpret such feelings as no different from love between the opposite sex. Behind this is the progress of concepts and consciousness, and the great confidence of creators in LGBT love and freedom.
Also a plus point is the presentation of the cultural issues of the community. Just taking a few subway stops is like crossing the centuries to the contemporary free London. It is not difficult to see the cultural islands formed by racial communities hinder the progress of freedom and equality. . Multi-ethnic coexistence is easy, but the problem of value integration is a long and difficult issue, which is an important issue for many excellent European films.
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