Two stars for special effects. One star for art. One star for "domestic".
To be praised, but not to be exaggerated.
It is said that the starting point of science fiction films can be said, and the milestone is passed.
It's a bit like a Chinese New Year's song, I feel like a New Year's atmosphere when I listen to one or two, but I feel noisy when I listen to it one day or every day. "The Wandering Earth" gave me the feeling that it was noisy for two hours. Except for a small part of the space station, it basically kept the bombing rhythm and kept sensationalizing. I am not a human being, and I am in an unspeakable embarrassment.
Emotions are no problem, but saving the earth is such a big thing, relying only on emotions rather than rationality, I always feel that something is wrong. I didn't see the actors with good acting skills and the set characters. The meaning of Duoduo's existence is unclear, and the meaning of Mike Sui is even more unclear. The correct use of human emotions is to promote scientific progress and save the earth, not to do it all in one step, because Logically, it cannot be achieved, otherwise it is possible for a person to win the sky with a yield of 10,000 catties per mu. Yu Gong relies on that spirit to dig mountains but not necessarily to build spaceships.
The whole film lacks a tenable motive. If the doomsday atmosphere is as chaotic as in the film, people do not understand the meaning of saving such an earth and saving such people on earth. It's understandable that Chinese people have a homeland complex, but foreigners all want to go home and drive blindly regardless of how far they are from home. I'm very curious about how these people were selected. Are they all with Zhai Tianlin who doesn't know how to network? Don't know about geography?
It seems too difficult to tell a good story. I'm sorry, but my request turned out to be in addition to special effects, stories and characters, so it should be my mistake.
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