I'm sorry, it's not a hymn

Madyson 2022-04-02 09:01:09

1

When we evaluate something, we need to be careful, with a little guilt of "I'm sorry I said something bad, please forgive me." This is a problem in itself, why should you worry? Isn't it a right to speak freely? Can't you give an evaluation based on your true thoughts after spending money on watching movies?

Sadly, there are a lot of movies where it is a political mistake to give a bad review.

But it may not be possible to give good reviews, because another group of people will say that you are a navy soldier and receive money.

These days, it takes Liang Jingru some courage to write a film review.

2

I gave "The Wandering Planet" four stars.

Two stars for special effects.

One star for art.

One star for "domestic".

This film, in my opinion, deserves praise, but not too much.

It is said that the starting point of science fiction films can be said, and the milestone is passed.

It's a bit like a Chinese New Year's song, I feel like a New Year's atmosphere when I listen to one or two, but I feel noisy when I listen to it one day or every day.

"The Wandering Earth" gave me the feeling that it was noisy for two hours. Except for a small part of the space station, it basically kept the bombing rhythm, the background music was deafening, and it was constantly sensational. When one died, the undead was also incited. , I feel a little moved, but when I think about it, if I don't move, it seems that I am not a human being, and I can't help but fall into an unspeakable embarrassment.

I'm ashamed to admit that I didn't cry during the whole movie. In the scene of grandpa's sacrifice, his eyes were wet, but that's all.

It’s okay to be full of emotions in the movie, but for such a big thing as saving the earth, relying only on emotions rather than rationality, I always feel that something is wrong.

I haven't seen the actors with good acting skills and the set characters. According to my tears value, Wu Mengda is not bad, but the character is still flat. When I gave up my daughter's life, I didn't see the emotional struggle.

The meaning of Duoduo's existence is unclear. If the speech of the young pioneers played a key role in promoting the development of the plot, is there a better way to change the form? Whether it was Duoduo's or Liu Peiqiang's speech, I didn't feel the power to move people's hearts. Instead, I felt: "Ah, this is persuaded? Is it so easy?"

Mike Sui's meaning is even more unclear, this guy was so noisy the whole time. Qu Chuxiao keeps claiming to be a genius, just as confident as the female CEO who sells face masks who claims to be an executive of Ali. Duoduo's ignorance and naivety make me feel that I wish these few would go offline sooner. This has nothing to do with age. In "Ender's Game", Ender is only a teenager, but he can participate in the battle as a commander.

The correct use of human emotions is to promote scientific progress and save the earth, not to do it in one step, because it cannot be achieved logically. Yugong can dig mountains with that spirit, but he doesn't necessarily build spaceships, because digging mountains is a work of strength, and building a spaceship is a work of intelligence.

The whole film lacks a tenable motive. If the doomsday atmosphere is as chaotic as in the film, people don't understand the meaning of saving such an earth and people on this earth. The only light of humanity is on these people who are on the rescue mission.

It feels too human when it shouldn't be human. For example, Zhou Qian exploded Flint because of her sacrificed teammates. For example, Liu Peiqiang sacrificed the space station to save his son - well, it can be said that he was to save the earth.

When it's human, it feels too inhuman. For example, when the lottery is the lucky one, it also means loss, but everyone seems to accept it relatively calmly, and there seems to be no tearing pain.

In addition, it is understandable that Chinese people have a homeland complex, but foreigners all want to go home and drive blindly regardless of how far they are from home. When faced with the doomsday, some rescue team members responded by committing suicide. I am very curious about how these people did. The selected ones, are they all as ignorant of geography as Zhai Tianlin, who does not know how to network?

In addition, how did Liu Peiqiang, who is very aggressive, get selected?

In order to save his son, the space station that carries the hope of mankind's future without hesitation? And the UN leadership has agreed?

If we talk about emotional portrayal, the most worthy and most important thing should be the violent conflict when the lottery decides to enter the dungeon, and the complicated emotions of the survivors, but we have not seen these, people enter the dungeon calmly, calm and even It is lively living in it. You must know that the 3.5 billion people who failed to enter the dungeon have nothing to do with these survivors. Because of his wife's vegetative state, Liu Peiqiang chose to let his father-in-law take care of the children. This painful choice , other people will experience it, but these conflicts, contradictions, entanglements, and struggles are not seen.

If Liu Qi's hatred for Liu Peiqiang is due to knowing that his mother was abandoned, then this struggle listed separately is also suspicious: when he was 4 years old, how did he know when he was growing up? about this? Grandpa told him? If yes, why tell him? Why not make up a lie?

Since this hatred can be so strong that Liu Qi wants to venture out to the ground before Liu Peiqiang returns to the dungeon, so he can't see his father, then, when Liu Peiqiang decides to use the space station to detonate Jupiter, it suddenly turns into love, which is too abrupt. .

If you hate it, just say it and go.

If you love to say go, you will come when you say it.

Unpredictable as a tornado.

The 21-year-old Liu Qi, like Han Duoduo in the second grade of junior high school, is a second-year middle-aged boy with no boundaries, and he staged a father-son relationship with Liu Peiqiang, a middle-aged sophomore. In the last seven days of the earth, there is no sense of urgency or apocalypse - don't tell me it's just smashing, smashing and looting - how do you say it? To use an inappropriate description, it's a bit of a joke.

Science is cold and rational. Science requires careful calculation rather than brainstorming. I am indeed not a graduate of science and engineering. I don't understand the sci-fi settings, but the emotions in the movie failed to impress me. Of course, this is my fault. I admit that I am indifferent.

3

What impresses me is the special effects, scenery, and art.

The incomparable desolation of the ground world gripped my heart tightly, as if facing a real future world.

It makes me love life so much.

Because such a scene may really become a reality in the future.

According to British media reports, due to the impact of global warming, chocolate may be on the verge of extinction, because the cacao tree, the raw material for producing chocolate, is becoming more and more difficult to survive in warmer climate conditions.

Isn't this the scene that Yi Shu imagined in "Pickup of Flowers in the Morning"?

The visual experience produced by the special effects of "The Wandering Earth", I really did not feel it in other domestic films, so this is my plus point for this film.

Seeing a familiar place reduced to an icefield, this sense of vicissitudes reaches its extreme when the words "Jinan" and "Jining" come into view. This reminds me of one year when I went back to my hometown of Qufu and stood in the area where I used to live. There was a big empty pit, alleys, and old houses. I wanted to cry but couldn't cry, and there was such a big pit in my heart.

I stood there for a long time, the past years, the family and the daily life with beauty and conflict, like a movie, flashed scene by scene, and those times that can't be returned, the lost relatives, are the pain in my heart that can no longer be healed .

So I can't understand the people who are singing and dancing in the dungeon.

People who have experienced loss and death can still laugh, but a smile with scars is really different from a heartless smile.

There is no such deep excavation of human nature in the movie.

The special effects of "The Wandering Earth" show that we are not short of technology, but we lack creativity and the ability to write good scripts and tell good stories.

If a movie moves me only with special effects, I don't think it means hope for the future.

That might just mean that we're too low on movies.

If in the theater for more than two hours, I was bombarded with special effects and burst into tears, I don’t think so, because that is a normal reaction in a certain scene, and if I walk out of the theater and cannot recover my reason for a long time, then I would feel sorry for myself.

All high-quality products are produced under strict and high requirements.

almost done...

very good already……

It's a domestic film after all...

Such an idea cannot make a good product.

8,000 storyboards, 10,000 pieces of props, 75% of the special effects produced by the domestic team, 7,000 people's team negotiation and coordination, the difficulty of winning investment, the staff's all-out efforts... These are all good stories in marketing , is also sensational enough, but, relying on these, it is still not enough to make a good movie, because a good movie lies in itself, behind the scenes should only be the icing on the cake, not the help.

Carrying forward the hard work of director Guo Fan and the cast and crew, as well as various behind-the-scenes stories, this is actually still the thinking mode of "hard work without credit", not result-oriented.

Some people say that box office is the best result.

The box office is indeed an important indicator, but it also depends on what is the biggest fueling force of the box office?

I am also patriotic, so as I mentioned earlier, the factor of "domestic production" will be added one star.

Suppose this movie was made by Nolan or Spielberg, and if all the Chinese actors were replaced by foreigners, and everything else remained the same, what would your assessment be?

I will venture a guess: because the words "Jining" and "Hangzhou" appear in it, they will be scolded bloody because it involves insulting China.

4

Watching a movie is never a simple, simple thing.

Movie is something that mobilizes one's own knowledge and emotions, and focuses on interpretation from a subjective perspective.

So a thousand viewers have a thousand Hamlets. In fact, if you add the time dimension, it is possible for a thousand viewers to see ten thousand Hamlets, because at different stages of life, there is a possibility of a movie's perception. Very different.

Useful discussions about movies allow people to dig deeper into a movie and enhance their understanding.

But unfortunately, the disputes surrounding "The Wandering Earth" fell into mutual criticism. Some defended idols, some defended details, and some participated in the film to defend their own works. Anyone who disagreed was low and did not understand. , Any comparison between Earth and foreign sci-fi films is all foreign and foreign, and filled with various interpretations of the great gods from all walks of life.

Noisy like a doomsday dungeon.

View more about The Wandering Earth reviews

Extended Reading

The Wandering Earth quotes

  • Liu Peiqiang: Since the day The Wandering Earth project began... there was no going back.