Innocent

Kylie 2022-03-26 09:01:11

Rarely lively, it's not bad to live near the concert hall, save the tickets and don't know who's blood will be tomorrow night. I watched the movie twice and liked it a lot but couldn't say anything about it. 20 years later, Sigrid understands the story of why she and Helena are attracted to each other. Thinking of the old enemy, it is also a play within a play to talk about the two women's competition and understanding of each other. At the beginning of this film, the director and the heroine debated the understanding of the heroines in the play, and then the interpretation perspective of the old slick male supporting character, and then the heroine and kristen stewart used a large amount of lines to follow the lines. Characters change from blur to high definition. And kristen and the heroine also made these jokes and fainted their plausible feelings. Celebrities swallowed up by Hollywood work hard to manage their decency, conceal their intentions and restrain their anger. We, who are held hostage by social aesthetics, sometimes have difficulty distinguishing between slaves of other people's eyes and self-driven masters. Even self-driven, it is easy to be blinded by prejudice. The tragedy of Helena and the heroine is that they want to save the company, but they are trapped because of lack of success, or frustrated in their married life, or they are too dependent on their loved ones and controlled. After Kristen off-screen and Sigrid on-screen left, she began to regain her courage to face it alone. Sigrid's fearlessness meant nothing; Helena's regained courage meant nothing.

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Extended Reading

Clouds of Sils Maria quotes

  • Maria Enders: Jo-Ann?

    Jo-Ann Ellis: What's up?

    Maria Enders: I wanted to ask you. You know the scene at the beginning of Act 3 when you tell me you want to leave and I get on my knees and I beg you to stay? You're on the phone ordering pepperoncini pizza for your coworkers in accounting. You leave without looking at me. As if I didn't exist. If you could pause for a second. Helena's distress would last longer when she's left alone in her office. Well, the way you're playing it, the audience follows you out but instantly forgets about her. So...

    Jo-Ann Ellis: So? So what?

    Maria Enders: When, when I played Sigrid I held it longer. I thought it was more powerful. Erotically. I mean, it really played well.

    Jo-Ann Ellis: No one gives a fuck about Helena at that point, do they? I'm sorry, it's pretty clear to me that this woman is all washed up. I mean, your character, Maria, not you. And when Sigrid leaves Helena's office, Helena's a wreck, and we get it. You know, it's time to move on. I think they want what comes next.

    Maria Enders: If you just held it a few seconds longer.

    Jo-Ann Ellis: It doesn't really feel right for me, Maria.

    Maria Enders: You're right. Yeah. I - I - I think I'm - I'm lost in my memories. You think you've forgotten your old habits, but their all - they all come back. Have to break them.

    Jo-Ann Ellis: I guess you do!

  • Piers Roaldson: [Piers proposes new movie mutant role for Maria] I'm trying to consider genetics from a more human point of view.

    Maria Enders: When I was reading it, I imagined someone much younger. Maybe me younger, actually, but you were seeing me in movies that were made years ago. I - I've changed.

    Piers Roaldson: She has no age. Or else, she's every age at once. Like all of us.

    Maria Enders: Can I be frank? Maybe it's because I'm working with her, but as I was reading it, I - I kept thinking about Jo-Ann.

    Piers Roaldson: Yeah, well personally, I never think about Jo-Ann Ellis.

    Maria Enders: You're wrong. She's smart. And talented. She's modern, just like your character.

    Piers Roaldson: My character isn't modern. Not in that way, anyway. She's, outside of time.

    Maria Enders: Outside of time. I don't understand. It's too abstract for me. It's all right.

    Piers Roaldson: I - I don't like this era.

    Maria Enders: You're wrong. It's yours!

    Piers Roaldson: Amen! I didn't choose it.

    Maria Enders: [laughs]

    Piers Roaldson: And if my era is Jo-Ann Ellis and viral Internet scandals I think I'm entitled to feel unrelated, aren't I. I mean, it's nothing against her, I guess I just assumed you'd understand.