Opening, like a close-up of Bergman.
1. There is an emotional rift between the two, each occupying the entire picture, indicating that they cannot coexist. The back image emphasizes the sense of rejection. Fade out to end a paragraph.
2. The long-lens camera moves one beat ahead with a premonition, perhaps representing the stylization of its work. Finally the camera turns to the street, as if conscious.
3. The action of the characters uses the panorama. The cinema inserts Joan of Arc, the facial close-up thinks of the beginning, and then contacts Karina in the auditorium. To pay homage is to have a new situational connection with the characters in the film, and so on. The camera movement in the restaurant is annoying hahaha.
4. The lens gets closer and closer, the face is shadowed, and the final transition becomes a cross-cut!
5. You can use the first few scenes to make people feel so distressed... To a large extent, it is also attributed to the beauty of Anna Karina...
6. They can appear in the frame at the same time, because of their connection to each other. In the end, focus on yourself. What do the gunshots mean, May...?
7. I dare to shoot this dialogue... But it really doesn't affect the storytelling! Because the most important thing is the moment when they look at each other.
8. This section is interesting... The dialogue between the two and the explanation of the picture complement it. The rhythm is fast, and the picture changes between the narrative and the heart.
9. A pool table without holes, a balloon that doesn't exist. Dancing, changing viewpoints. She is so happy isn't she? lean on the pillar.
10. The most important sentence has no voice. The ending uses a little high angle and music to intensify the emotion.
11. Paris streets again. The film uses a lot of mirrors. "Why do people always talk", goodbye language! Anna Karina's sudden staring at the camera seems to remind us that we are also part of this discussion, the silent ones, or just a Godard game. I should pay attention to the timing of this melody.
12. Music reappears. Conversation is silent. Paris streets again. fall down. end.
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