The films of European origin and Cannes path always have a kind of simplicity that Hollywood can never come up with. Most of the time, political themes are two extremes, or they are too main theme, or one-sided, and the problem of directors and screenwriters is to go It was too scattered, and I didn't grasp a main emotional line from beginning to end. The actors were very tired, but they got twice the result with half the effort. I caught too much and left blank. I wanted to stack the emotions of the protagonist, but the effect didn't come out. In theory, I wanted to create a semi-documentary. The effect, but it is not pure enough. A good theme screenwriter ruined 60% of the director and ruined the other 40%, giving it 3.5 stars. The production is still rigorous, but if the atmosphere is created with more focus, it will be better. Of course, then maybe not. So simple.
View more about In the Fade reviews