In the current tense situation between Germany and Turkey, the appearance of this film has a deeper practical significance. Similar to "Three Billboards", it is a story of revenge for a loved one. However, this film is completely developed from the perspective of the heroine, and it is even more necessary, or completely dependent on a strong heroine, and Diane Kruger fully supports this role, turning a mother who lost her husband and young son from collapse to The process of seeing hope, and then embarking on a journey of revenge when hope is shattered, and finally choosing to burn all jade and stone is vividly portrayed. I knew about Diane Kruger early on in the "National Treasure" series, but I never thought that her acting skills would be so consummate, enough to hold up the whole work?. The rhythm of the film is lively, and the unexpected is not depressing. It is divided into three parts and deduced in sequence. Each point is clearly explained, and the realistic lens language is more thrilling. For example, if the heroine is standing in front of the window, the rain falling from the glass is reflected on her face, like unstoppable tears rolling down, more like strips of black flames burning, heralding the final revenge; The female protagonist is lying in the bathtub to commit suicide. The wounds of her two wrists in the water are surging with almost black blood, a kind of pressing and shocking cruelty. The first two parts of the three parts can be given full marks, and the last part is a bit thin. The most beautiful and precious things have passed away, and even the opportunity to seek justice has been deprived. Sadly. . .
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