come out of nowhere

Elbert 2022-03-26 09:01:11

The first two scenes were average, but the suspense in the third act was well controlled, and the long shots were very tense. Diane Kruger's performance is actually quite ordinary. We are all looking forward to the two neo-Nazis being brought to justice, because we clearly saw the appearance of the suspect at the crime scene (cancel this objective view, leaving only the heroine's subjective memory will be more Good), so when the court did not make such a judgment, the whole defense process was even more twisted; so in the end, the heroine temporarily changed her mind and left a lot of regret. A few details: the zoom lens at the time of being acquitted simulates the heroine's mentality: detached from all the emotions around; Samurai's tattoo may mean to re-emphasize that our heroine is a person who embraces multiculturalism? The appearance of the bird was a turning point, the return of the menstrual period, and finally getting through to the lawyer's phone call.

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Extended Reading
  • Opal 2022-03-20 09:02:35

    Hidden in the grass, Katya is like a bird, trying to use a nail to break through the window of hatred, but realizes that violence cannot eliminate hatred. The paintings on the wall, the bed that I slept in, the pirate ship, and the tiny hands become a pool of blood splashing on the wall, which cannot be wiped off with a legal sanitary napkin. She heard the call of her family from the ocean, even if she put on sunscreen, she would go to this hatred sacrifice. She is the only fighter among all the sacrifices of extreme racism.

  • Viva 2022-03-19 09:01:08

    Sweeping away the established impression of Diane Kruger "may be a vase", she brought the anger, despair and indifference of a woman who lost everything to the fullest. It was the performance of a woman she liked very much in the main competition film. The neat three-act scene is a bit weak as the main part of the trial, but the image of the sea in the third part is successfully sublimated. Good enough to forget more controversy about the social significance of the film.

In the Fade quotes

  • Katja Sekerci: [attacking Edda in court] Look at me, you cunt! I'll kill you!