come out of nowhere

Elbert 2022-03-26 09:01:11

The first two scenes were average, but the suspense in the third act was well controlled, and the long shots were very tense. Diane Kruger's performance is actually quite ordinary. We are all looking forward to the two neo-Nazis being brought to justice, because we clearly saw the appearance of the suspect at the crime scene (cancel this objective view, leaving only the heroine's subjective memory will be more Good), so when the court did not make such a judgment, the whole defense process was even more twisted; so in the end, the heroine temporarily changed her mind and left a lot of regret. A few details: the zoom lens at the time of being acquitted simulates the heroine's mentality: detached from all the emotions around; Samurai's tattoo may mean to re-emphasize that our heroine is a person who embraces multiculturalism? The appearance of the bird was a turning point, the return of the menstrual period, and finally getting through to the lawyer's phone call.

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Extended Reading
  • Morgan 2022-03-19 09:01:08

    Anti-terrorism with terrorism, the beginning and the end shockedly correspond, good and evil come out of thin air in the same posture. The heroine is the strongest woman I have seen on the big screen this year. Kruger’s full-fledged acting is only a Cannes queen. It’s too bad... Up)

  • Chadrick 2022-03-25 09:01:19

    Ah Jin really dares to shoot, and the Germans are really a stubborn one. It seems that they never understand mellowness. They are either extremely tolerant or extremely hateful, with sharp edges and corners. Sooner or later, you will have a fourth empire.

In the Fade quotes

  • Katja Sekerci: [attacking Edda in court] Look at me, you cunt! I'll kill you!