come out of nowhere

Elbert 2022-03-26 09:01:11

The first two scenes were average, but the suspense in the third act was well controlled, and the long shots were very tense. Diane Kruger's performance is actually quite ordinary. We are all looking forward to the two neo-Nazis being brought to justice, because we clearly saw the appearance of the suspect at the crime scene (cancel this objective view, leaving only the heroine's subjective memory will be more Good), so when the court did not make such a judgment, the whole defense process was even more twisted; so in the end, the heroine temporarily changed her mind and left a lot of regret. A few details: the zoom lens at the time of being acquitted simulates the heroine's mentality: detached from all the emotions around; Samurai's tattoo may mean to re-emphasize that our heroine is a person who embraces multiculturalism? The appearance of the bird was a turning point, the return of the menstrual period, and finally getting through to the lawyer's phone call.

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Extended Reading
  • Kira 2022-03-20 09:02:35

    It is another European anti-extreme right violent film. The heroine is so good that she deserves to win the Best Actress Award in Cannes. The director Akin is a Turkish-German. I was a judge with him at the Berlin Festival in 2001. He was only 28 years old at the time, and he was a rookie director who had just emerged at the Locarno Festival. I remember that after watching "Seventeen-year-old Bike" by Wang Xiaoshuai, a young Chinese director, he couldn't help but praised him, and didn't need me to speak much during the review, which made the film win the jury award. Over the years, his work has been focusing on the reality of European immigration and has won various awards such as the Golden Bear. The film also won the American Golden Globe Award for Best Foreign Language Film, which is widely recognized.

  • Halie 2022-03-22 09:02:38

    Can't bear it. Today's movies in Europe and the United States have gone further and further on the road of "political correctness", and there is no turning back.

In the Fade quotes

  • Katja Sekerci: [attacking Edda in court] Look at me, you cunt! I'll kill you!