The little boy is very well chosen. His eyes are clear and energetic, and he looks up at you from the bottom up. It is easy to attract you to guide him. Step by step, it is exactly his way - an ambitious voyeur and narrative Gamers are in need of an energetic assistant. He smiled, revealing the smile lines on the corners of his mouth. This character is undoubtedly dangerous, but I'm more excited than I've ever been, and this character excites me more than I've ever been. I have seen the efforts made by a writer to explore the truth of life and inner desires. He is despicable, smart, bold, and active. I don’t think this kind of person can be described as gifted. He is truly gifted to write. The author can write a story without temptation or entering the room. This kind of person, this kind of intruder, is the one who understands the true meaning of life. It's true and false. After all, no one knows about the Raphael family. The story is partly true and partly false. His peeping and manipulation have freed him from the quiet life of countless middle-class backwaters. I think it is very fresh, and I have no moral values.
The funny and ironic point is that the teacher went astray. He cursed his wife's artistic perversion. The perverted art also has a simple and simple form that only presents no expression, but he himself squeezed out pages and pages from Claude's eyes. Real life eventually develops into the perversion itself in the secular vision.
After watching the movie, I suddenly felt less interested, but I still have to remember it, because it proves that a relationship I discovered very early really exists. When I read the book "Flowers", I first discovered that the language of images is the same. There is a subtle connection between written languages. For example, I excerpted these two sentences, because at first glance, I felt that this kind of written expression contained the habit of moving mirrors or script descriptions.
1. More than ten years ago, there were two young free buttons in the barber shop, which was in line with the current gloomy environment, but the eyes, hair, and demeanor were out of shape, and gradually merged, which was equal to two negatives. Blurred, became clear, like a popping sound, suddenly merged into one, and restored within half a second. (The lens moves slowly, with virtual focus and real focus, with sound effects)
2. Mr. Lu seemed to be trying to make amends for all kinds of weird behaviors at the beginning, nourishing his breath, and thinking about it. The two figures fled away. In the corner of the wall, there was only a triangle hanger for Mr. Lu's shirts and trousers. (The last sentence almost feels like a freeze-frame shot after the end, but the next one is a new event)
Finally, when I saw the end of the book, the author used the characters in the book to talk about movies, including Shanghai movies, foreign movies ("Schindler's List"), and Wong Kar-wai, and then I realized that this is the case, this is not a coincidence , Jin Yucheng's writing style is very likely to be influenced by the language of the film.
Recently, I saw Faulkner's "The Sound and the Fury", and it felt like a treasure. Text paragraphs can jump in time and space for many years. The connection points are only similar objects or sounds, or there is no need for such connection points at all. Like a movie with or without transitions, the form of text undoubtedly makes it difficult for readers to read, but it also elevates the style of the work.
The former is the language expression part, and the latter is the structural paragraph part. The former can make the language beautiful and individual, and the latter can make the narrative more advanced and unconventional.
The reason for this is nothing more than the fact that mad characters and fiction that do not know where the boundaries of the imagination make up this fascinating film text. In particular, integrating a short story into an hour and forty-five minutes of video is really innovative. It matches the video of the text of the novel and the video outside the text of the novel. The two are intertwined and balanced, and finally point to a form. The end of the doctrine: Everyone stubbornly views and annotates the lives of others according to their own interpretations. And at this moment, I am Claude who is sitting on the park bench and pointing and pointing.
View more about In the House reviews
