"Ah, what beautiful red dancing shoes" one sentence made Garen jump from the bush of thorns to the executioner's knife. "Why do I dance, like why you live", let Peggy jump from the top stage to the shattered track. Intertextual with Andersen's most bizarre fairy tales, and against the most gorgeous and fantastic stage of ballet, "Hong Ling Yan" is a modern fable. Whoever wears red shoes and greedily dances at the feet of God will fall into the abyss. until the feet are cut off. Desires for career and life are reasonable and established, but if desires become ambitions, they must be displayed, destroyed, or unique ambitions of either one or the other, then the talents and dreams will be sacrificed to the original heart. . Peggy's psychological changes went through three processes. When she met Lermontov for the first time at the banquet, she was a pure dancer, eager to become a first-class dancer with innocence and courage. She's Galen who has glimpsed the princess's red shoes, reluctant to part in the store, full of thirst for beauty and art. Polanskaya was her idol and her dream, but the contradictions faced by the great dancer also paved the way for Peggy's later fate. The swan lake as the protagonist should be Peggy's freest and most enjoyable performance. She proved that she has talent and ability to become the next Bolenskaya. At this time, Peggy, who has not yet met another ambitious young artist, still has a vague admiration for Lermontov. She strives to find even a little light and stage, as long as she can dance, Will suffice. When identified as the heroine of the red shoes, Peggy began to make her way to the top. "Red Shoes" brought Peggy and Julian the success of their careers and the seeds of love. Blonde hair, sky blue pure lace, and red shoes seem to be a beautiful fairy tale, but Peggy's fate is doomed in the clown's weird smile. When she is completely devoted to the dance of the red shoes, when she is so immersed in love that she can't breathe with happiness, she becomes a gallon who wears red shoes to go to church to blaspheme God, paralyzed and drunk in the trap of praise and compliment . The sixteen-minute stage play has already shown the direction of the story in advance. The lost girl wandering around can only keep dancing and make a choice under the coercion of two men. In the third stage, Peggy is conflicted, struggling, and lost. There is no doubt that Lermontov represents the ultimate pursuit of art. He cannot have worldly emotions and cannot have a normal life. He suppresses himself and also suppresses Peggy. However, Lermontov represents the greatest satisfaction of desire and the greatest realization of ambition. Is it true that Peggy can't choose family and career at the same time? She can easily become the leading role in a second-rate small troupe with fame, but what she cannot give up is the highest honor of the Lermontov Theatre, the ultimate goal of becoming the greatest dancer. For her, dance is no longer pure, it cannot resist the temptation of love, and it will inevitably become a tool to reach the top. Julian can continue to create and play the piano unscrupulously in the middle of the night, but she can only hold up her dancing shoes silently, recalling the sweetness of applause and cheers in the past. She never stopped practicing, but the red shoes, which represented the highest achievement, had been locked in Lermontov's angry cabinet and could not be opened. So, just like the tangled Galen, one left his sick adoptive mother and one left his beloved husband. It's the same train again, the same car, sitting side by side when we part, evenly matched, you don't understand the greatness of other good things in life, you don't understand the folly of giving up being the greatest ballet dancer. Bye-bye, Lermontov stood in an overwhelming tendency, Peggy bowed her head and ducked, she already felt the magic that the red shoes conjured. Once you experience the peak of success, once you put on the most dazzling and beautiful red shoes, even if you can take it off, can you really let go and forget? Peggy gave in. She resolutely set foot on the feast of the ball, waiting to meet her lover's coffin on the never-ending return journey. Lermontov was selfish, paranoid about his pride, and could sacrifice all earthly emotions for art. Julian is selfish, he can accept Peggy's giving up, but he is unwilling to face the situation of giving up the summit alone. Under the double attack of two men, between the pure desire to dance and the conflict between achieving a peak career, Peggy became a Garen who repented in advance, but God still refused to give her a chance, so she and Anna Calle Like Nina, she leapt and was destroyed between the tracks of the train. Maybe Hong Lingyan is more cruel, Peggy can only take off her red dancing shoes before dying, even if she hasn't had her last dance yet. The intense impact of red and blue gives the film a romantic, beating tragic tone. The reality is that the fairy tale is dyed with a layer of ink, which is more cruel and thrilling. A little bit of deterioration of desire, even one extra step of dancing in dancing shoes, are irreversible and irreparable sins. How many gallons can get a chance to chop off both feet? They can only take the pain of thorns and blood and tears, waiting for God's redemption, getting a brief moment before death, taking off their shoes, exhausting, and resting in peace.
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