Perverted writers and dancers are like Latin dances where you step back in and you step in and I step back. They live in symbiosis and transmit anxiety to each other.
The dancer is the writer's inspiration for writing. The dancer makes the writer feel love and pain at the same time. The writer ruthlessly abandons the dancer who loves him. Without pain, there is no love. Hunhun finally got the retribution of the scum. The woman was reborn after being injured. In the past, those who went uphill went downhill, and those who went downhill seemed to go uphill, and the relationship between abuse and abuse began to be exchanged.
Can a woman give her all her best years, and when her beauty fades, she can take pleasure as a remedy for the past, and when the prosperity fades away, she can come back to be a nanny and a nurse?
Writers and Hugh Gretel have been chasing such a dream or phantom-like woman, and moviegoers have been searching for a reason and an end to the story. The end of the story is as empty as the desolation of the party. This mutual torment ends in shooting and suicide, although I think the dancer sending him the gun is just a mockery of his paralyzed lower body. It is the writer's love and hate that kills the sleep The dancer, and the dancer in the relationship is over-paying to the state of not caring in the end.
Chasing game like a merry-go-round, I love you when you don't love me
If you don't see it, you will close it at the best moment, and the rest is boredom, that is, stab each other's weakness.
Dancing girls are also desirable and terrifying, wild and depraved.
Hugh Gretel's experience on this ship not only has a sense of pursuit and story that cannot be loved, but also has the luck of finally landing back to stability and still being loved by others.
Hugh Gretel, who chose to be wise and protect himself, grasped the speed and watched the fire from the other side. The extreme ones are the profound experiencers of "love, desire, and death".
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