This should be regarded as the most conscientious work in the comics in recent years.
Although there are some cuts and changes in the plot, the adaptation is generally good and more compact.
Sato Ken's performance is surprisingly good, even if his original feeling is not so similar to Kenshin,
But I didn't expect it to be so good...
Saying "Oro" and "Clumsy" and the omnipotence of family affairs are full of swordsmanship,
Especially the place where you switch from a super strong swordsman to a gentle old man in one second is very touching.
For example, Xinyue Village stopped Eiji from taking revenge and told Zhizhixiong, but it is not you who bleed for your justice;
Like the battle with Zhang in front of the shrine,
Saying that this is the new world I finally built in the blood of the beacon fire ten years ago, this child is the symbol of the new world,
I'm going to save him today no matter what...so so.
It seems old-fashioned, but it is not easy to make such old-fashioned things sincere and moving without being hypocritical.
As an unprofessional FAN for more than ten years, I was really relieved to see it (wiping away my tears).
To praise the whole scene is very burning, the fighting scenes are very good
(I heard that the martial arts are from Donnie Yen's team, no wonder he fought with Zhang Zai at the shrine,
A lot of places make me think I'm watching a Hong Kong kung fu movie XD).
Coupled with OOR's song is simply burning *NNNNN
I almost got confused and ran to find OOR's album. Fortunately, I realized it was just burning.
It's just too much to match the nostalgia of the whole movie characters,
It really just burns, nothing else is deeper...
Zhi Zhixiong's cripple (middle) cool (2) villain image is also quite in place, and his mouth is even more points.
But the most restored should be the old man, the degree of restoration is almost the same as Chiba Shinichi's tyrant (thumb)
And that kind of "veteran" image is really good.
...Just why, why is Fukuyama Masaharu so much more like Nie Feng than Gu Qingjurou! ! ! (frightened)
The most tragic one should be the dark purple line. The chosen actor was tragic and the plot was changed to be quite tragic.
(Although Xiaocao's casting is not cute enough, the "Angry Bird Kick" still feels a little bit out XD)
The movie completely deleted his entanglement with Kenshin in the original work,
It seems that the reason why this person is obsessed with Kenshin is really difficult to resonate, and his heart is not enough.
Although Sojiro's casting is a bit resentful, his sick laugh is really good, I personally think it's even better than the original painting~ Zuanosuke (casting, personality, plot...whatever) It seems that many people have resentment from the last episode to the present, but in this episode, there was actually a scene where Zuo Zhi gave Jian Xin a friendly punch and stared at him and shouted that I was here to help you. I think that is also true. good ww
In addition, there are a few changes in the film itself that I would like to mention a little. One is Kenshin's performance after the sword was broken with Sojiro in Xinyue Village. In the movie, that look is really desolate and lonely, and I can't bear to see it... Although Kenshin in the original work also looks like he has been hit, but when he turns his head, he still smiles and says that if you hit the knife again, it will be fine, and Zhi Zhixiong can chase after him. Now, at least we have driven Zhi Zhixiong's people out of New Moon Village, isn't that enough? In contrast, the original Kenshin is not only gentle, but also very, very warm... The gentle taste in the QAQ movie is there, but the warmth is a little worse, which is a pity. The other is where the second part ends. Kenshin knew that Zhi Zhixiong was going to bomb Tokyo, but when he saw Xiao Xun being thrown into the sea, he immediately jumped down desperately.
(Especially, he is the only one who has the ability to stop Shi Zhixiong here, and the other policemen of Saito Zuozhi are not there). This way... Although I can't really say it's wrong, I'm not very good at this very subtle difference, but it's different here from the original to save Iori, who symbolizes a new era for him, to save Iori. The words I said at the time were a bit like gathering energy in battle, but Xiao Xun's paragraph makes people feel that the country's righteousness has dropped to the love of children in an instant... Not to mention that Xiao Xun's performance in this part is almost completely There are no bright spots to speak of....~"~ The last point is the adaptation of the movie that I quite like. In the original work, it was found that Iori was kidnapped by Zhang because Xiaocao didn't give up, and wanted to go to Qingkong and ask him to make a reverse blade. Discovery; the movie was adapted into Kenshin, who saw a hawker selling windmills on the road, and bought one for Iori, only to meet the Aozora couple whose child was robbed.
Here, this Kenshin who can buy windmills and trot all the way back to find children to play with, I personally think, it is really... It's like unintentionally revealing a corner of the daily life of that Kenshin back then, really very, very Kenshin .
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