#2018biff, 1) The transition of the two female protagonists coming out of school and taking the subway to the hotel to open a room is extremely beautiful. The two people in the noisy crowd while waiting for the bus stop talking to each other. After the subway starts, in the fixed shot, only The two hiding in the corner and the swaying car body, although I don't know where the subway is heading, will eventually take them away from their previous life. The two have no eyes to meet, no confirmation of each other's eyes, but the recovery of love is full. overflow screen
2) The metaphor of the room runs through the whole film, the righteous son claims that he can manage his own housework and says: This is my house. As soon as the hostess wanted to cut herself off with her father, she had to sell her father's house, but her father donated the house to the church in her will. The second girl wanted to give her child freedom, so she moved out of the immaculate white bedroom and lived on the sofa. The adopted son finally rejected the position of church rabbi, and the three embraced in front of the church door. The white house looming in the background is the source of why they are here, why they are in conflict with each other, why they reconcile with each other, running through their lives so far.
3) The soundtrack is too much, and people make plays many times
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