Typography has no logic what to think about what to write what series
While I can't help thinking of metaphors about the various conflicts that are about to be faced or happening, I slowly accept the laid-out sci-fi setting.
But in the context of science fiction, there are still many details that are impressive, not related to science fiction, about individuals, about human beings, about what these gods have done (destroyed), and what they are doing (destroyed). The main line of the story is definitely the self-help of the heroic "God". Human beings have the duality of God, destroying on the one hand and redemption on the other.
impressive:
"We are not animals!" So, where did the animals who never appeared? All I see is the mouse that never ends and the bird in the silhouette that looks like a savior. Or animals are those "we", sometimes, people are far more scary than a lion in the grasslands, isn't it?
The little girl who was taken to the hospital turned back, it would be the arrangement of the scene that will appear in her dreams for many years to come.
Interlude: I was a little excited just after watching the first season, but when I saw the comments of the second season that the expectation value had dropped, I was really in a mood??♀️
(It seems to be a heroic story that will develop into a team of people to save the world.
The five-person team succeeded in forming a team. With their respective backgrounds and the "growth" of their 'speeding' experience, trust is being established, and the conflict of the dark line is just around the corner. Coupled with the seemingly complicated and unknowable sci-fi setting, and exploring some marginal areas, it feels like it's only a matter of time before something big. So what the hell is it that the third season does not collapse and faintly gives up expectations for the second season)
Some other memory fragments:
The first of all kinds of murders....
The luck required to be the protagonist is not something that ordinary European emperors can afford.…
And the individuals who are a little weak or show very selfishness in this show are really dead in seconds (it seems that this show is also very positive)
One of the tears is a moment when an asteroid man was left alone in the vast expanse of space, shouting will do better, but gradually lost his words, hope and despair coexist
For the time being, there is no touching gray area where the protagonist and the opposing boss are seen
However, the screenwriter is good at a few words or simple plots to set a person's transformation and bury a lot of lines between future characters.
and still feel like I want to play the protagonists for a few moments
Not because of the plot conflict, but somehow felt "unreal"
Seems like everyone's death is worth discussing
It's like everyone dies naturally
It happened for a reason
infinite universe
What will people discover
And what the universe reflects on us, you and them
Staring at the abyss, at the same time, staring at the abyss.
There are some miscellaneous
Small points that can be discussed individually
I'll mark it again when I think of it
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