The pictures of West German movies have a unique flavor, realistic and cold; without spoilers, the protagonist is an idealist in the front, but unexpectedly it was realized in the back. Not only is there no exaggeration and fiction, but it is accompanied by majestic momentum. The operas of the 2000s give people an uplifting feeling. On the land on the boat is ironic, but it is inspiring here; the already wonderful inspirational stories are run through with Italian operas, adding more beauty; another work of the director, "Card The Mystery of Spa Heber just watched it some time ago, and it is also a stream of consciousness work, and it is also very kind to watch it again. On land and boat, looking at the protagonist's unique German resolute eyes, grabbing courage, I was really moved by it. The German film of 1982 was well shot, and the plots were tightly connected. What matters is not the result, but enjoying the process.
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