It is said that three women play one show, but in fact, as long as the aura is strong enough, one woman is enough. The protagonist Jin Funan is the biggest attraction, and of course the disgusting faces of those supporting characters are indispensable. A weak woman who was insulted and damaged beyond measure, brazenly took revenge after losing her only spiritual sustenance. From being obedient to being obedient, I believe that no one is willing to be a slave, as long as the blood is still alive. I never dared to say no to the world, because the bottom line of holding on to what was lacking was still there. In the first half of the film, the role of Jin Funan made me feel familiar, and I always felt that she was very much like a rural woman in China, a rural woman who was ill-fated in a far-off land where the emperor was high above the sky. Life is like an ant, and death is also despicable. He has never been treated with dignity by the people around him, let alone pity.
I don't want to think of the film as an elegy for women against patriarchy. Women are not synonymous with the weak. If everyone turned their face away in the face of the suffering of others with peace of mind, and if everyone was gradually domesticated under oppression until they were self-anaesthetized, I believe that the word "resistance" can be erased from the dictionary, and everyone is weak. No matter how crowded they are, they can only live miserably on their isolated islands, with nowhere to escape.
I suddenly remembered that at this time last year, some people set themselves on fire in the Jiangxi Yihuang Qiang demolition. Also in Fuzhou, Jiangxi, the bombing of a government agency at the end of last month was done by farmers. Who breaks out in silence, who perishes in silence. There is no need to guess the truth, there is always a source of evil. As the protagonist said: "to endure too long, people will get sick."
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