In a very dramatic environment at the beginning, the conflict between parents, child and parent does not require lines to be delivered to the audience. The switching of several shots and the change of several action rhythms have achieved such a purpose.
Standard realism, extreme realism, such as the quarrel between the father and the mother after returning home and the long silent scenes, a family of three, three rhythms of life. Seems destined to separate.
Long shots sometimes make the rhythm procrastinate, and sometimes they use a silent progression to deepen the unsettled life of the characters in the film.
A world without love, where everything seems to be only desire and supply and demand (demand). What everyone wants, even they themselves don't know. Everything is in chaos. Naturally, children become bonds and new points of conflict.
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