After watching it off and on, I feel that this show has a magic power. Whenever I feel that the plot is procrastinating and inexplicable, if I keep watching it for another minute, I will want to watch the whole season without hesitation.
I like the way of mixing several story lines. No matter how strong a line is, it has limitations. The screenwriter can think of it, and the viewers can probably estimate half of it. When narrating multiple lines, the moment of intersection is the fire. readily.
I have seen some French movies, but I have seen very few French dramas. The earliest un garcon une fille should only be regarded as a sitcom for learning French.
When I was living in France for a short period of time, my neighbor gave me a netflix account on my birthday. I didn't watch any American dramas. I was chasing fait pas ci fait pas ca. a feeling of.
So far, I want to say that in my impression, French dramas should be relatively loose in shape, and the focus is not prominent. It mainly depends on perception and resonance, not on the story itself.
This drama LBDL is very interesting. The whole packaging is like an American drama, editing, depth of story, etc. It is indeed the French drama with the highest ratings overseas. However, at the level of characterization, it returns to the subtle and ethereal ribbons of French cinema. American drama depicts a person's diversity, and may focus on a few points (this technique was used in the third season of Henri's office cleaner), once the depiction is successful, then find the next breakthrough, LBDL is on the whole season. If there is a depiction of nothing, depict malotru, depict nadia, depict henri, depict. . . A very simple scene of writing a diary or chatting may drag on for three or five minutes. In the end, I feel that everyone is unfamiliar, just like in normal social interaction, when you accidentally feel that a friend around you surprises you, Maybe that's the first time you've been distracted, anyway, I don't think anyone understands me, smiling face.
Back to the plot itself, the first season is about portraying the characters and burying the thread. The most dizzy thing for me is Nadia. I actually don't know what she wants, maybe because I didn't finish it all in one go. When I get older, my memory is not good, and the plot is not connected. This big heroine originally had a husband herself, and then fell in love with Paul, and said that she would serve her country, participate in opposition activities, and have a bitter hatred with Paul. It is understandable, but she did not understand her fundamentally. What is the point.
As for Cyclone, it feels like he is echoing from beginning to end, but he is actually a character that can be blurred. Just like the director told you before the opening, you are the protagonist, when you go on stage, all the light hits others, but when you come out and call the curtain, you still have to stand in the C position and show an embarrassed and polite smile.
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