After returning to Taipei, the third film "Perfect Ending", I feel that I have finally seen a film above the standard. At the beginning, the director started three or four story lines, so it was a little messy, but as the story developed to the middle, it became more and more interesting, and it was still unfinished at the end. The only pity is that the ending is a bit rushed, and there is a regret that it is not finished. But I really like the director's unrestrained narrative style, as well as the composition of several shots, and the design of several scenes, so that this movie, which focuses on narrating life and events, is not boring, but interesting. "Perfect Ending" is the first Yubei's work that I admired after attending Yubei's forum in Rome last November. Because I have listened to her analysis, in this work, I try to look at it from a different angle, instead, it is more I can understand what she emphasized when she was in Rome: "With the premise of a quiet performance, the performance of rewarming is more powerful." (However, my favorite is her performance in "Elle". It's a pity that she didn't win an award last year.) I also like actresses who play 13-year-old girls. It's not easy to interpret the inner transition in such a level at this age. But overall, "Amour" is still better.
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