Maria is a sexy stunner. Her husband Herman, who went to the front line, is the meaning and hope of her life. For the sake of bread, she attached to Bill, a black American officer, and Oswald, a French factory owner. After she was pregnant with Bill's child, she saw the previously reported death Herman, then killed Bill with a wine bottle in an argument between Bill and Herman, and Herman took the charge and went to jail. After Maria fell and Bill's child, she met Oswald, a wealthy businessman, and became his mistress.
She has since soared, telling him this when she visits Herman, but she still sees her marriage to Herman as sacred. After Herman and Oswald signed a private agreement, Herman was released from prison ahead of time and went abroad to pan for gold, on the condition that Maria would be Oswald's mistress during his lifetime. Herman received half of Oswald's estate. After Oswald's death, Herman also returned from the gold rush. After suffering the bitterness of her husband's betrayal, Maria and Herman and their sacred marriage finally vanished in the explosion of gas.
Maria is different from men's accessory women in the traditional sense, but will have ideological confrontation, disparity in temperament, and how many times she wants to greet her and refuses her sincerity. She is a woman of life and strength, with an emotional dimension and a consistent grace that fills in the damage that rebellion does to others. In fact, she pays more attention to the value of family life and even the sanctity of marriage in the principle of sensibility and rationality. As a woman singing on the ruins, she loves her husband deeply, and after he hits her when he sees her having sex with Bill, her first reaction is not embarrassment, but joy for her husband's return .
Maria's personal deeds also corresponded to the war environment in which Germany was at that time. She was not a lofty intellectual, but a person steeped in wealth and power, so she would rather live by the wealthy businessman Oswald. In the dilapidated, I try my best to show the female self, so as to get the life I really want. Her image is complex and full, doing a dazzling dance with the strength of the tsunami stone. She is not a god, not a Buddhist shrine, but a woman who is based on the cornerstone of self-belief—and is constantly striving for the brilliance of her freehand brushwork.
And her ultimate tragedy is also because of her inner beliefs and value trends. She thinks that her husband Herman has money but can't keep her single-mindedness. Even if she cheated first, it was because of life's compulsion, and her heart was always on her husband Herman. Herman's betrayal is a kind of revenge out of resentment. Maria is not a high-flying saint, but a self-styled woman with a calm and steady temperament who is still not limited by reason. She will make her eyes of blood and tears burn in the dark night. Burning like fire, finally buried the beauty of roses and even the beauty of the roses into the bottom of the soul.
The film "Maria" makes viewers reflect on the profound issues of men and women, that is, how to maintain their independence with their unique aspects, and how to balance their inner possessiveness, and even elevate it to a more open and peaceful world? For Fassbender, film is a comprehensive art of depicting people, finding a place in his heart between seeking and finding things right and wrong. After the war has destroyed the value and dignity of human nature, how to be free from pain and long-term love—that is, the meaning of the title of finding the kingdom of freedom.
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