I finished chasing "Legend of the Fallen Street" for a few days. Multi-character, multi-line narrative, weaving the trajectory of everyone struggling in the dark and cold life, weaving the background of the big era. Prostitutes, pimps, gangsters, policemen... all of the characters who appeared on the stage, and gradually showed the process of the initial development and expansion of the American pornography industry in the 1970s. People have to reflect on how people can survive when the world is desolate, but they cannot hug together to keep warm. Produced by H (yellow) B (violence) O (dirty), and with the porn industry as the main story line, this drama has firmly grasped the hearts of viewers with "color" from the very beginning. However, if it is just to copy the blueprint of the porn industry, it can only become a third-rate film and television drama. After the show was released, although it did not cause a movie viewing craze like other HBO works (such as "Game of Thrones", "Big Little Lies" and other popular dramas), it also received a lot of praise. As the director and starring James Franco, in this play, one person plays two roles, and a pair of twins talk about brothers-the unbridled, cynical, irresponsible brother, and the overall frowning, responsible and Business-minded brother. When I first started watching the show, I felt that there was absolutely no need to add the two brothers to the plot, especially the older brother, this rambunctious character did not add much to the show. However, when the episode ended, I slowly tasted why the screenwriter took the two brothers as the main line. As a symbolic meaning, the double-sided image of the two brothers covers almost many roles in the film, and even includes the background of the times at that time. One is conscientious and the other is profligate. The contrast between the two brothers also complements each other. And everyone who is in a hurry in the degenerate street is not all conscientious in their work, but they can't suppress the urge to splurge in their hearts, wandering in this dark and rotten neighborhood. Another heroine, Tangtang, uses a pair of skins to walk between the reality of hunger and cold and the filial piety of a mother and son. She is not only a street girl who can use the body, but also a woman with mind and temperament - a tall figure, insight into things and independent thinking. She is not committed to any pimp, and she is unwilling to hand over the hard-earned money she earned with her body to a strange creditor. At the same time, she also had to face the bleak world alone. Tangtang, who was exhausted physically and mentally when she was robbed of money by a prostitute, beat her to death, not only could not be comforted, but also tried her best to resist the pimp's wooing. Frustrated, Tangtang wanders the streets in despair, ignoring whoring Greetings from the guest, causing the other party to yell at him - just like you, do you still think you are noble? For Tangtang, the noble backbone has been imprinted in her soul and is not judged by the depravity of the flesh. Another time, the customer who was "killed" by her lay upright on the bed of the cheap room, Tangtang left the scene in shock, and instead of looting the client's wallet, she informed the police. Many people will ask why she fell here, and she just smiles, shakes her head gently, walks gracefully in the desire of men, and dresses up another fake world that she has carefully created. She handed the money to her mother regularly every month, asking her to take care of her son, and together with her mother weaved lies to deceive her son, saying that she was working in the government. Tangtang is just a microcosm, and there are more prostitutes in this industry, living in chaos under pseudonyms, while still retaining the beauty of pure life deep in their hearts. For example, Darling, watching a movie with a client, burst into tears, and then began to read a famous book; and Ashley, after falling out of favor for a time, finally took a break from the streets through the "dew lover" Frank, and rekindled her yearning for a new life. In them, two sides can still be seen - disgust and hatred for pimps, but they have to rely on these people who oppress themselves to live. The same is true of pimps, who hide their greed for money under their glossy exterior, adhering to the dogma of "to control their bodies (prostitutes), you must first control their minds." Whether it is the irritable Reggie, who uses intimidation to frighten, or the false CC, who builds a nihilistic hope with a sweet dream like a gentle village. The pimps did everything they could to hold these women firmly in their hands, as if they were in control of their lives. In fact, they knew better than anyone that it was these women who had a firm grip on their lives—because, in the world they lusted after, they were nothing but trash with cars, women, and bright looks. All this was exposed after the brothel opened. The intervention of the police has made it more and more difficult to maintain street business, and the brothel supported by the police after taking bribes has shown a different world - no arrests, no windy meals, no rough sleeping, no bullying by pimps, a seemingly full of A warm "home", the embrace of those dusty women wandering in the streets. The price is that not only the government gets a share of the pie, but the police station also comes to steal the money, and even the ethics inspection unit set up in the police station comes to squeeze again! Those police officers in uniform also unreservedly exposed their ugly side in front of human nature. They opened their bloody mouths and swallowed weak women. body money. Darkness is not scary, what is scary is the soul swallowed by darkness, unable to adapt to light. The righteous policeman wanted to expose everything, but found that he was alone and died; Darling, who left New York, not only could not adapt to the atmosphere of his hometown, but also joined the street team with an underage girl; the honest and responsible foreman Bobby , gradually lost their nature under the influence of the brothel; I don't know if the environment has changed them, or their nature has been released here? And the only character that makes people feel warm - Sister Elephant Legs: Ruby, always stands up when other girls are treated unfairly. Especially when Tangtang was in despair, she gave up picking up guests that night and invited her to come to her place. Tangtang saw that on the back of the chair by the window was a leather jacket left by the same girl who was standing on the street after the jade was destroyed. The two chatted sentimentally, lost, and silently warmed each other. All emotion stopped when Ruby was pushed down the window by the gangsters of the underworld sweeper. Her icy body, across Vincent's bar, quietly possessed the ground. Passing by, I am afraid that only the black police are full of desolation. The pimp would only sigh that his last tool to make money was gone, Vincent and the bodyguard were only concerned about whether the insurance of their bar could repair the house number, and the CC who was swept out of the house even made an inexplicable joke... If anyone else would feel sad, I'm afraid it's just sugar. After all, Tangtang passed by in the car that night, saw Ruby taking a passenger, and called out to each other excitedly, but watched Ruby get into the car and leave, and didn't have time to say a word. Never thought, this side is a goodbye. At the end of the play, in the slow music melody, Tangtang wears Ruby's leopard-print cotton jacket to guide the shooting of "Little Movie". This seems to be the transmission of a mantle and a spirit - if you can't trust each other in the cold, and you can't hug each other for warmth, everyone can only freeze to death. As the show's screenwriter David Simon said: "The show is about what it means when a society is all about profit, so it's neither pornographic nor puritanical, it's about a The industry, and the characters who created this industry and were shaped by the industry at the same time." The growth trajectory of each character is like a thin thread, and their interweaving creates the outline of this era! Darling, not only could not adapt to the atmosphere of his hometown and countryside, but also joined the street team with underage girls; Bobby, the honest and responsible foreman, gradually lost his nature under the influence of the brothel; I don't know if the environment changed them, or Is their nature released here? And the only character that makes people feel warm - Sister Elephant Legs: Ruby, always stands up when other girls are treated unfairly. Especially when Tangtang was in despair, she gave up picking up guests that night and invited her to come to her place. Tangtang saw that on the back of the chair by the window was a leather jacket left by the same girl who was standing on the street after the jade was destroyed. The two chatted sentimentally, lost, and silently warmed each other. All emotion stopped when Ruby was pushed down the window by the gangsters of the underworld sweeper. Her icy body, across Vincent's bar, quietly possessed the ground. Passing by, I am afraid that only the black police are full of desolation. The pimp would only sigh that his last tool to make money was gone, Vincent and the bodyguard were only concerned about whether the insurance of their bar could repair the house number, and the CC who was swept out of the house even made an inexplicable joke... If anyone else would feel sad, I'm afraid it's just sugar. After all, Tangtang passed by in the car that night, saw Ruby taking a passenger, and called out to each other excitedly, but watched Ruby get into the car and leave, and didn't have time to say a word. Never thought, this side is a goodbye. At the end of the play, in the slow music melody, Tangtang wears Ruby's leopard-print cotton jacket to guide the shooting of "Little Movie". This seems to be the transmission of a mantle and a spirit - if you can't trust each other in the cold, and you can't hug each other for warmth, everyone can only freeze to death. As the show's screenwriter David Simon said: "The show is about what it means when a society is all about profit, so it's neither pornographic nor puritanical, it's about a The industry, and the characters who created this industry and were shaped by the industry at the same time." The growth trajectory of each character is like a thin thread, and their interweaving creates the outline of this era! Darling, not only could not adapt to the atmosphere of his hometown and countryside, but also joined the street team with underage girls; Bobby, the honest and responsible foreman, gradually lost his nature under the influence of the brothel; I don't know if the environment changed them, or Is their nature released here? And the only character that makes people feel warm - Sister Elephant Legs: Ruby, always stands up when other girls are treated unfairly. Especially when Tangtang was in despair, she gave up picking up guests that night and invited her to come to her place. Tangtang saw that on the back of the chair by the window was a leather jacket left by the same girl who was standing on the street after the jade was destroyed. The two chatted sentimentally, lost, and silently warmed each other. All emotion stopped when Ruby was pushed down the window by the gangsters of the underworld sweeper. Her icy body, across Vincent's bar, quietly possessed the ground. Passing by, I am afraid that only the black police are full of desolation. The pimp would only sigh that his last tool to make money was gone, Vincent and the bodyguard were only concerned about whether the insurance of their bar could repair the house number, and the CC who was swept out of the house even made an inexplicable joke... If anyone else would feel sad, I'm afraid it's just sugar. After all, Tangtang passed by in the car that night, saw Ruby taking a passenger, and called out to each other excitedly, but watched Ruby get into the car and leave, and didn't have time to say a word. Never thought, this side is a goodbye. At the end of the play, in the slow music melody, Tangtang wears Ruby's leopard-print cotton jacket to guide the shooting of "Little Movie". This seems to be the transmission of a mantle and a spirit - if you can't trust each other in the cold, and you can't hug each other for warmth, everyone can only freeze to death. As the show's screenwriter David Simon said: "The show is about what it means when a society is all about profit, so it's neither pornographic nor puritanical, it's about a The industry, and the characters who created this industry and were shaped by the industry at the same time." The growth trajectory of each character is like a thin thread, and their interweaving creates the outline of this era! Abandoned to pick up guests that night and invited her to come to his place. Tangtang saw that on the back of the chair by the window was a leather jacket left by the same girl who was standing on the street after the jade was destroyed. The two chatted sentimentally, lost, and silently warmed each other. All emotion stopped when Ruby was pushed down the window by the gangsters of the underworld sweeper. Her icy body, across Vincent's bar, quietly possessed the ground. Passing by, I am afraid that only the black police are full of desolation. The pimp would only sigh that his last tool to make money was gone, Vincent and the bodyguard were only concerned about whether the insurance of their bar could repair the house number, and the CC who was swept out of the house even made an inexplicable joke... If anyone else would feel sad, I'm afraid it's just sugar. After all, Tangtang passed by in the car that night, saw Ruby taking a passenger, and called out to each other excitedly, but watched Ruby get into the car and leave, and didn't have time to say a word. Never thought, this side is a goodbye. At the end of the play, in the slow music melody, Tangtang wears Ruby's leopard-print cotton jacket to guide the shooting of "Little Movie". This seems to be the transmission of a mantle and a spirit - if you can't trust each other in the cold, and you can't hug each other for warmth, everyone can only freeze to death. As the show's screenwriter David Simon said: "The show is about what it means when a society is all about profit, so it's neither pornographic nor puritanical, it's about a The industry, and the characters who created this industry and were shaped by the industry at the same time." The growth trajectory of each character is like a thin thread, and their interweaving creates the outline of this era! Abandoned to pick up guests that night and invited her to come to his place. Tangtang saw that on the back of the chair by the window was a leather jacket left by the same girl who was standing on the street after the jade was destroyed. The two chatted sentimentally, lost, and silently warmed each other. All emotion stopped when Ruby was pushed down the window by the gangsters of the underworld sweeper. Her icy body, across Vincent's bar, quietly possessed the ground. Passing by, I am afraid that only the black police are full of desolation. The pimp would only sigh that his last tool to make money was gone, Vincent and the bodyguard were only concerned about whether the insurance of their bar could repair the house number, and the CC who was swept out of the house even made an inexplicable joke... If anyone else would feel sad, I'm afraid it's just sugar. After all, Tangtang passed by in the car that night, saw Ruby taking a passenger, and called out to each other excitedly, but watched Ruby get into the car and leave, and didn't have time to say a word. Never thought, this side is a goodbye. At the end of the play, in the slow music melody, Tangtang wears Ruby's leopard-print cotton jacket to guide the shooting of "Little Movie". This seems to be the transmission of a mantle and a spirit - if you can't trust each other in the cold, and you can't hug each other for warmth, everyone can only freeze to death. As the show's screenwriter David Simon said: "The show is about what it means when a society is all about profit, so it's neither pornographic nor puritanical, it's about a The industry, and the characters who created this industry and were shaped by the industry at the same time." The growth trajectory of each character is like a thin thread, and their interweaving creates the outline of this era! Never thought, this side is a goodbye. At the end of the play, in the slow music melody, Tangtang wears Ruby's leopard-print cotton jacket to guide the shooting of "Little Movie". This seems to be the transmission of a mantle and a spirit - if you can't trust each other in the cold, and you can't hug each other for warmth, everyone can only freeze to death. As the show's screenwriter David Simon said: "The show is about what it means when a society is all about profit, so it's neither pornographic nor puritanical, it's about a The industry, and the characters who created this industry and were shaped by the industry at the same time." The growth trajectory of each character is like a thin thread, and their interweaving creates the outline of this era! Never thought, this side is a goodbye. At the end of the play, in the slow music melody, Tangtang wears Ruby's leopard-print cotton jacket to guide the shooting of "Little Movie". This seems to be the transmission of a mantle and a spirit - if you can't trust each other in the cold, and you can't hug each other for warmth, everyone can only freeze to death. As the show's screenwriter David Simon said: "The show is about what it means when a society is all about profit, so it's neither pornographic nor puritanical, it's about a The industry, and the characters who created this industry and were shaped by the industry at the same time." The growth trajectory of each character is like a thin thread, and their interweaving creates the outline of this era!
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