The love between men and women is nothing more than meeting and falling in love. The resistance of a love is external and internal, natural born killers and American sweetheart and Bonnie and my heart are wild and even u-turn, all start from women's passivity and unfamiliarity with the current domestic work situation. Men are flooded with hormones, fleeing their existing lives and embarking on a journey of nowhere. The new place is in the way the story is told and in the process of being on the road, what part of the resistance the director is trying to express, and how to express it. How do female directors approach storytelling perspectives? The story revolves around the female protagonist, and the audience never sees the male protagonist from the perspective of the female protagonist. If the way of telling a story is divided into objective and subjective, rational processing part and emotional feedback part, the audience does not really see the rational part in this film, and basically follows the heroine's emotions. Let the adult audience who are used to handling things rationally spend more than two hours into it, and the director constantly manually helps the audience to enter in the selection of actors, soundtrack and infectious rendering. The group portraits of other people are average, but there are too many female protagonists in profile.
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