1. It's so well made. Akira Kurosawa screenwriter, director Shinji Fukasaku, and of course American directors, at least in the film industry, the United States and Japan can have such productions nearly 30 years after the war. Throughout the film, the shots of the Japanese military are very clean, tidy and orderly, which is a good practice of the essence of the Bauhaus. The American side is very casual. Although the Japanese army is short in stature, the clothes are neat, dark blue and gold, very spiritual, and the hairstyle and skin color are relatively consistent. The U.S. side, on the other hand, is earth-green, especially weak, and has hired a group of old men, tall, short, fat and thin, and especially lacking in spirit.
2. As always, the Emperor is still presented as irresponsible and anti-war.
3. I don’t know what the mood of the Japanese actors who participated in the show is. They reflect on the war, but can’t throw away the spirit of the Japanese? It looks like the U.S. military is really a stupid soldier!
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