In the same vein as Cowboy Bebop, the picture is amazing and the soundtrack is sharp, and the aesthetics are so good. Cowboy + Jazz has become Samurai + Hiphop. It seems that the compatibility of things that are irrelevant is actually very good. Telling heavy stories in a light and light tone, talking nonsense in a serious manner, talking about parting, obsession, and all living beings who are struggling to survive in the mud. From the beginning, I knew that the meeting was short-lived and fate was impermanent, so I always had a little hesitation when I was greedy for warmth. Recalling that Cowboy Star was the same way back then, the continuous partings were futile and disillusioned... So there is no reunion at the end, which is really comforting... I like Ren's love story, warm and melancholy. The ultimate romance created with a sense of restraint is full of emotions to break through the screen. There is also the story of the blind girl, the decisive battle in the rain, the dense drum beats pushed the atmosphere to the apex of tension, and then the bowstring stretched to the limit suddenly broke, the violent drumbeat and the phantom cry slammed into the heart, sadness and anger surged. out. The most distressing thing is the thief who saves money for his mother's treatment. Feng's words are hesitant to say, and he knows his mother's heart. Behind his calm attitude and gentleness towards Feng is a deep despair. people, so sad. Finally, I praised Sato Yinhei, Jin's voice is the moonlight in the running water.
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