window superimposed with the curtains. The weave of the curtains and the odd window pattern.
Keeping us indifferent is that our screen time is really getting longer. I can understand. A desire for eternal life. Because good looks are not what we call a power struggle. Money is also an allegory here. You want to be on the lookout for a real time series of events that money can help you move. It's the same two-part structure as your overlapping eyes. It's a vulgar insinuation, like Bruce Lee's martial arts. Juggling on the image, solving everything with violence is the strength of the weak. He also bought a gun because he thought violence would solve everything. It can also be considered as these simple and beautiful sides. So his rebelliousness is like the local reactionary sentiment. The inner bulge is very weak in reality. So it is easy to cause other people's suggestion. As well as self-emphasis on environmental cues. In such an ending, . Religion takes up more than half of it. The poor religion started violent slaughter of all kinds of deserved humiliation on people.
If religion is like a hospital, I get sick, and the nurse says you go to hell. You must die. Or you are evil. So you are sick. Such conflicts vulgarly resolve psychological contradictions. Such abandonment resulted in Polanski's self-imposed exile. Because work is vexatious. should be fleshed out. Polanski, however, found that the strength of art in modern times is the acceptance of cruelty. We saw the scene of the accident. , we are bloodthirsty. We are afraid, then we are comfortable. Because of peace. However, if the work behind it is boring, how can it be fulfilling? So Polanski met our mystery girl, the lust of the film. The only question we can ask in the entire movie is the protagonist himself, who only asks a question and an escape line to a similar question. The first is not a fancy design of language configuration but a typical oracle. A context representing a state of God. So when you see this scene the woman is sleeping beside him in a kind of simulated divinity. She does not have to submit to the divine. But the state before and after needs admiration and respect. How much suffering did you have to bear before you could find an ordinary life?
At the end we see Polanski falling into his opposite. If I face you and if I can't rule it means I and we can't get justice.
The state of humiliation is unbearable. And is the protagonist humiliated? These reasons for inferiority can be the motive for all murder or the starting point of evil.
The film has been describing a state of self-imposed confinement in the age of self. Constantly self-examination and self-criticism. and self-confidence.
What is the opposite of self? What's the point of you staying beautiful but the rot comes from within? If I were from Egypt I would also be worshipped by this infinite vanity. But what can these rotten stones tell you? The Egyptians said it was impossible to be an animal at the same time. We are caught in an empty fantasy. We wait and we expect we are good. It's okay to be even a good day without it. So when we looked at art, Polanski gave cash to a young man. That young man is so desperate for money. , help the poor artist. Then Polanski took pity on them. But sympathy is vile. So we see weird tenants. a tenant. He has no money. , but a bit noble. intolerable. Speak a foreign language. Unlucky found a broken house and entered all the evil exits. How evil he danced twice!
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