I really don't understand the character of a bad girl. This is one of the few movie protagonists I've ever met that is completely unresonant. The unkempt fall is not good-looking, and there must be noble blood in the real tragedy of fate. (Monica's game youth, men like it, but also can't afford it. Later: a woman's character is sharpened by life to bring out Harry's character, it is not another form of sadness). Ingmar Bergman's lens comes with a filter, perfect for Stockholm location shots, or close-up of the face of a quiet or depressing character, and the transformation between the clips is extremely spiritual (Monica bathing naked in the sea, raising water, the lens Quickly switch to the waves crashing on the reef, wide-angle - close-up), the creation of the master in the golden age, admiration.
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