Reconciliation between k and Binoche

Jasen 2022-03-25 09:01:18

The same director as the private buyer, Maggie Cheung's ex-husband, his two films with K are both in the style I like. They don't rely on exaggerating major dramatic conflicts, but relying on profiling to make the film stand.

I read a film review saying that the role of K does not exist objectively. I thought about it and thought it was very true. It is the best explanation, because the voice of Xiao K was still there just now (thinking about it, the director’s shot here The trick is very clever), Binoche confirmed that after seeing the cloud snake, he turned around but no one was seen, because k was originally some kind of opposite thinking of Binoche, and the moment he saw the cloud snake, this side reconciled with the body, So k is gone, and of course, other opposites will reappear later, such as with the super-killing girl.

This film can be regarded as one of the most outstanding K acting skills I have ever seen. She may have been paralyzed before because of her personality and didn't care about other people's opinions, but in this film, as an assistant, her role is set to care about her boss's emotional feedback. In particular, the emotional details of the first half are well grasped. In the middle part, I checked the draft with Binoche outdoors. When Binoche was speaking, she tilted her head and seemed to bring it into the script and jumped out to see Binoche's expression, which impressed me deeply. , there are still quite a lot of points.

View more about Clouds of Sils Maria reviews

Extended Reading

Clouds of Sils Maria quotes

  • Maria Enders: Jo-Ann?

    Jo-Ann Ellis: What's up?

    Maria Enders: I wanted to ask you. You know the scene at the beginning of Act 3 when you tell me you want to leave and I get on my knees and I beg you to stay? You're on the phone ordering pepperoncini pizza for your coworkers in accounting. You leave without looking at me. As if I didn't exist. If you could pause for a second. Helena's distress would last longer when she's left alone in her office. Well, the way you're playing it, the audience follows you out but instantly forgets about her. So...

    Jo-Ann Ellis: So? So what?

    Maria Enders: When, when I played Sigrid I held it longer. I thought it was more powerful. Erotically. I mean, it really played well.

    Jo-Ann Ellis: No one gives a fuck about Helena at that point, do they? I'm sorry, it's pretty clear to me that this woman is all washed up. I mean, your character, Maria, not you. And when Sigrid leaves Helena's office, Helena's a wreck, and we get it. You know, it's time to move on. I think they want what comes next.

    Maria Enders: If you just held it a few seconds longer.

    Jo-Ann Ellis: It doesn't really feel right for me, Maria.

    Maria Enders: You're right. Yeah. I - I - I think I'm - I'm lost in my memories. You think you've forgotten your old habits, but their all - they all come back. Have to break them.

    Jo-Ann Ellis: I guess you do!

  • Piers Roaldson: [Piers proposes new movie mutant role for Maria] I'm trying to consider genetics from a more human point of view.

    Maria Enders: When I was reading it, I imagined someone much younger. Maybe me younger, actually, but you were seeing me in movies that were made years ago. I - I've changed.

    Piers Roaldson: She has no age. Or else, she's every age at once. Like all of us.

    Maria Enders: Can I be frank? Maybe it's because I'm working with her, but as I was reading it, I - I kept thinking about Jo-Ann.

    Piers Roaldson: Yeah, well personally, I never think about Jo-Ann Ellis.

    Maria Enders: You're wrong. She's smart. And talented. She's modern, just like your character.

    Piers Roaldson: My character isn't modern. Not in that way, anyway. She's, outside of time.

    Maria Enders: Outside of time. I don't understand. It's too abstract for me. It's all right.

    Piers Roaldson: I - I don't like this era.

    Maria Enders: You're wrong. It's yours!

    Piers Roaldson: Amen! I didn't choose it.

    Maria Enders: [laughs]

    Piers Roaldson: And if my era is Jo-Ann Ellis and viral Internet scandals I think I'm entitled to feel unrelated, aren't I. I mean, it's nothing against her, I guess I just assumed you'd understand.