There are pictures: https://www.toutiao.com/i6495589331174949389/
Now, in Hollywood films, everything that involves crime, shooting, and violence is extremely realistic. Once a shot is fired, blood will be splattered immediately, and the audience will be splattered. But going back 50 years, this type of film is still very conservative. Although westerns, crime films, and action films still stage scenes of violence, they are often just superficial and far from real.
In Hollywood in the 1960s, the golden age of film has long since passed, and the outdated genre films can no longer satisfy the audience at that time. Coupled with the government's loss of popular support, anti-war sentiments rose, student movements emerged one after another, and rebelling against mainstream myths became the goal of the younger generation. The beat generation evolved into hippies, jazz evolved into rock music, and the film industry ushered in the "new Hollywood movies".
The "New Hollywood Movie" started with a movie called "Bonnie and Clyde" (1967, also translated as "The Male and Female Thief"). The film tells the story of a pair of mandarin duck robbers, who joined hands to rob a bank and kill people, and were finally shot to death by the police. Sounds like a cheesy crime genre film, right? Most of the audience at the time thought the same thing before watching it. A poster reads: "They are young! They are in love! They kill!"
The audience felt that if they could see bank robberies, murders, and love scenes, the ticket money would be worth it. But what they didn't expect was that what they saw was one of the greatest films in film history, a landmark film, a film that influenced generations of filmmakers and still shines today.
Of course, people at the time didn't think so much, they were just stunned by what was happening on the screen.
Before that, they didn't know that bed scenes could be so ambiguous and seductive, as if they were rolling into a ball with them on the bed.
Before that, they didn't know that people were shot with blood, because most of the people in the movie were shot with only a small round hole, not even a drop of blood. Think of those Westerns by John Wayne, where the man is done with his hand over his wound after being shot. What about blood?
Before that, they had hardly seen such a young male lead. Warren Beatty, who played the lead actor Clyde Barrow, was only 28 years old at the time of filming. At that time, the male lead actors were generally over 35 years old! Half-grey hair and wrinkled faces, paired with young and beautiful actresses under 30, abound in Hollywood movies.
In fact, after the premiere of "Bonnie and Clyde" at the Montreal Film Festival, the film set off a controversy. This debate came very quickly. After some movies were released, everyone waited there without speaking, and wanted to see what others had to say. The wait was a few months.
"Bonnie and Clyde" is completely different. Everyone suddenly discovered that this film is not simple, and it may be the best Hollywood film of the year. Film critic Roger Ebert said afterwards: "Who would have thought that Beatty and Penn [Arthur Penn, the film's director] went toiling in the desert and handed over a A master work."
But there are others who hold the opposite view. The more famous one is a New York Times film critic named Bosley Crowther, who is very influential. He said "Bonnie and Clyde" "is a glorification of violence, a cheap display of emotional grandstanding."
Opposition to Krause ensued. Wilfrid Sheed, the film critic of "Master," wrote: "Once again, this guy from the New York Times is not calm enough." Andrew Sarris, "Village Voice" Said: "American cinema finally has another masterpiece, but Krause refuses to admit it, which is tantamount to holding back American cinema."
Afterwards, Krause wrote a second article, declaring that he would "never give a positive review of any overly violent film again". Later, film critic Orson Bean wrote in Time: "We seem to see that in more and more cases, liberals will only be sympathetic if you agree with him. Swear to the death to defend your right to speak."
Originally a Newsweek critic, Joseph Morgenstern, also objected to the film. But his attitude lasted only a week. The week before, he was still attacking the violence and daring scenes in "Bonnie and Clyde". In the next issue, he had a 180-degree reversal, admitting that his judgment was wrong, and then began to analyze where he was wrong. Finally, he was enthusiastic. Praise the movie.
Seeing the report, the film's leading actor, Warren Beatty, was overjoyed: "Imagine this: Morgenstern admits he's changed his mind, so he went to the editor. They told him, God, you can't change your mind! You're a film critic. Man, you're always right! But he insisted on changing it, and the editor had to let him go. I bet someone in the Newsweek office slammed the door!"
"Newsweek" switched to the camp, and other film critics were also optimistic about the film, leaving Krause to fight alone. It looks like "Bonnie and Clyde" will be an unprecedented success, but that's not the case. That's where Bosley Krause's personal influence comes in.
The New York Times was one of the most authoritative magazines at the time, and Krause, who wrote articles for The New York Times, was a well-spoken film critic. He is very influential in the periphery. Many movie theater owners love to read The New York Times. For them, Krause is God. A movie that Krause doesn't like, even if the rest of the world likes it, doesn't help.
So the head of Warner Bros., who also hated the film, was going to throw it at those drive-in theaters in Texas, and it was Beatty who begged the studio to give it a chance before it could be released in full in the fall of 1967.
But tragically, the film was soon dropped, critics scolded it, and only a few appreciated it. Pauline Kael loved it, chastised her colleagues for not being appreciative, and enthusiastically published a detailed analysis of "Bonnie and Clyde" in The New Yorker.
Film critic Roger Eberzet delighted in calling it "a milestone in American cinema, a true radiant masterpiece. Years from now, it may well be seen as an icon of the Sixties." sex videos.
It now appears that Ebert's prediction has been accurately fulfilled. "Bonnie and Clyde" quickly got its name right, along with a series of subversive films released in 1967-1969 (such as "The Graduate", "Easy Rider", "The French Drug Network", "2001 A Space Odyssey") ", "Army Field Hospital", etc.), the "New Hollywood Movie" was launched vigorously.
This wave swept across almost all types of Hollywood films, and since then, the face of American cinema has taken on a new look. No one misses the old man who had only one small eye after being shot and did not have a drop of blood in the whole film.
Public number: movie box (laodianyinghualang)
View more about Bonnie and Clyde reviews
