Elephant and Crazy Stone are brought together in multiple lines, but they
do not cause each other But the two murders were accidents, there was no causal connection , and there were limited crossovers, and most of them were fire books thrown by the little three boys, which made the daughter's father burn his clothes. Is it a bit misogynistic that the woman who smashed the car of the drunk driving man lied about the fee for an abortion, which led to the robbery of the convenience store ? At the same time, the heroine cheated on the three of them and fooled the first two to pay for abortion 2. Three men drove a car and hit the heroine jj was pinched and shot and ran away. One man went back to pick up jj . The book on fire was burning on the roadside 4. The man who shot the man planned to rob the convenience store where he was working and the female clerk refused to cooperate, but the gun went off the gun and the man stole the cash The female clerk demanded to injure herself Looking for the shooting man to steal the bowling ball and came back and found that the body was gone. At the end of 11:14, the parallel clip of the two lines ========= Favorite excerpt =========== =========Xiabei Department
His debut film "Reservoir Dogs" basically belongs to this category, and "Pulp Fiction", which earned him the most honors, is also such a movie. In comparison, I prefer the former because the latter's spin skills are too obvious and the content is not enough. enriched.
Guy Ritchie, "Two Smoking Guns" and "Snatching and Robbery" all use multi-linear narratives, and they are all wonderful. After abandoning this technique, Guy Ritchie seems to be unable to find the north. Last year The Revolver is an example, and it's an eye-popping Guy Ritchie movie at all.
"Magnolia" in 1999 should be regarded as a pinnacle of multi-linear narrative. The number of characters involved in the film is unprecedented, and interspersing such seemingly unrelated stories together can make the audience understand it. Said to be the director's skill, Paul Thomas Anderson did it. As the representative work of this low-yield director, "Magnolia" has always been praised by fans, although it was coldly received by the Oscar that year.
The deepest impression of "The Elephant" is that the structure is unusually neat. So many characters and stories seem to be related, but they all constitute a complete story. The Elephant is also one of my favorites.
Mexican director Agado also likes to use this narrative method very much. In his two novels "Love is a Bitch" and "21 Grams", we see a very mature narrative method. Adding some confusion of time and space, his films always exude a near-perfect temperament among similar films.
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