The miserable life of a civil servant in the deep cabinet, the difficulties and obstacles in the road of resistance, and even the process of subverting the stereotype of colleagues, even the changes they made to be together are a good choice. However, there are so many real events worthy of in-depth discussion, but this film has all passed by, and narrates everything like a running account. It has neither the emotional impact processed by the film, nor the truth that the documentary is so naked that it is too late to avoid it. So much so that I didn't know what to think when I first watched it.
What's even more irritating is that when I watched it for the first time, I thought I was in a bad mood and affected the movie, so I stopped watching it at the beginning. After a long, long time, finally in this early winter, on a snowy night, curled up in a warm bed (approximately equal to the highest courtesy), and found this movie again. However, it was really disappointing. And it's not the disappointment of wasting time watching a bad movie, it's the disappointment of a lazy (doubtful) throwaway.
As a lesbian professional, Auntie Baa has always been deeply loved by Ji guys, especially since she has always been shown to be in a uniform, handsome and tempting, with her strength to prove that there is no best Ji, only more Ji, completely beyond expectations.
Peggy was not a hot girl in the traditional sense as soon as she debuted, and Xiao K was even more beautiful than her, but she was not a tomboy in the traditional sense, just more neutral than most girls. In this film, she tried her best to restore a slightly masculine and taciturn T image. Although she couldn't be handsome due to her appearance, her T strength was full of ten.
However, this surprise lasted for less than ten minutes, and it made people feel dull. So it's not that my bad mood affects watching the movie, it's just that the movie makes people feel bad!
The first half is the history of the relationship between the two, two words, few words. Many people say it's because of the incompatibility of the appearance, but I think it's the fault of the lines. I haven't counted it, but I can feel that the lines are too few, because the entire viewing process is unhurried like watching a domestic romance movie. There is no hidden information about the relationship between the two that needs to be urgently processed by the brain, and there is no conflict to let you I'm worried that the relationship between the two will end.
And it doesn't just feel like they meet together until their partner finds out they're living together, the car conversation between the two is still the same, there's no drama at all. Even the audience can clearly feel the emotional changes of the actors-the partner went from guessing to shock, and auntie went from concealment to confession. The emotional changes were natural and full, but unfortunately the lines did not reflect this change at all, because there were only four sentences in total ( There's no number, but it's definitely not too much), after saying hello, directly throw away the key information, then get in the car and leave, over.
If it's just a few lines, of course it can't explain anything, and many silent movies are still moving. Because people rely on the plot!
However, the ready-made turning points and ready-made plots of this movie are really just a theory, neither foreshadowing nor unfolding, I will tell you what happened, and then start the next stage, really, watching a dream of Red Mansions Chapter names are also more likely to evoke emotions.
If this movie is a bad film, no, it is not a bad film. Although it is dull, the narrative is stable and people can watch it. The characters are not derailed, everyone's personality is clearly visible, even the Jewish little gay is a little cute, and the director's skills are not doubted at all.
As far as movie creation is concerned, everything is combined together, and it should be a standard work. However, such a true and tortuous story, such two excellent protagonists, was made on the basis of a documentary, and the only fluctuation caused by it was that it caused Ji Lao's national memory!
That's right, this movie, all the comments about the movie, except for the admiration for the protagonist's struggle, the rest is to recall the touching of his past. This admiration, of course, is deserved by the fact that the protagonist has completed. And those who are moved are not so much moved by the movie as they are moved by themselves. Because of these touches, you can see similar words under every pull tab.
So, this movie, apart from the gimmicks of real events, what else is there? What about the fight? After watching this film, shouldn't I have a better understanding of this matter and these two people? You just finished shooting like this, what's the difference with other pull tabs? Is there?
no.
I have a good guess, this is the director practicing blank space, but the blank space should be a little random in the thrilling, an extension, if the whole work is full of random, random in random, random extension?
The Ji guys really like to extend the group, and now more and more dramas are adding female and female CPs, even whether they are real CPs or not, as long as there are women and girls who are ambiguous, there must be audiences, and they must be chased to the end. Not to mention such a real incident, not to mention such two stars that Ji Lao likes, even if they just act as good friends, they will still be watched. The director simply, being lazy, it's all up to you yy.
My bad guess is that the director doesn't know anything about homosexuality and doesn't have anything to express, and even making this movie is completely a feeling of having to hand in homework as a last resort.
First, the emotions that the movie presents - meeting, going to bed, buying a house. It's pointless to say nothing. A pair of lovers who have been together for five years, or the protagonist, as a director, is there nothing to say? Even in the second half, the entire incident is dominated by the partner, and the description of the transformation of the police department colleagues is more vivid than the description of the two protagonists sharing weal and woe! The protagonist is facing death, director, you have nothing to say?
The first half of the emotional part was understated, and the second half of the protest also focused on the police station and the parliamentarians, and this part overlapped a lot with the documentary. Even the most impressive sentence in the film, you have the power, is also in the documentary, and This sentence is not the most moving in the documentary. . .
Of course, if this movie, like other lesbian movies, is just a sudden idea, or just want to shoot a picture of two beauties together, it would be fine to hand in such an assignment. Even the completion of this movie is at least worth it. Three and a half.
But this is a movie based on a true event, this is a turning point, this is two people who are fighting against the world, this is a story of a same-sex group fighting, there is even a documentary as a reference, no matter what That should be it.
To be honest, after watching the whole movie, the first thing I felt was that I felt aggrieved for Baaba and Peggy. I used them to promote them for a long time, but it was useless in the end. And my biggest feeling is that the director has no respect for the two prototypes! In this whole story, if it weren't for the charisma of Baa and Peggy, you wouldn't even feel that these two are the protagonists.
Anyway, I give two points, and also feel quite generous.
Also, I would love to say, f***!
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