The rhythm of the shots and the breath of the dialogue are so interesting. I didn't understand some places, I'm ready to brush it again.
After finishing the second brushing, I followed the plot again. The sense of belief in the little characters and the cunning of the great wisdom and the overall calm and restrained tone of the film form a conflict, which is particularly joyful.
The little girl sang "take me home country roads" for the second time and couldn't help but burst into tears. This resonance has a nostalgic sadness in the geographical background of the film Virginia, and only a few shots convey a light-heavy feeling. Infectious, I have to sigh that Soderbergh is too powerful.
At the end of the film, the reappearance of the FBI female agent makes the whole story form a closed loop. All kinds of burdens and foreshadowings echo vividly and interestingly in the development of the plot, calm and not dull, light and not frivolous, and endless aftertastes.
View more about Logan Lucky reviews
