The rhythm of the shots and the breath of the dialogue are so interesting. I didn't understand some places, I'm ready to brush it again.
After finishing the second brushing, I followed the plot again. The sense of belief in the little characters and the cunning of the great wisdom and the overall calm and restrained tone of the film form a conflict, which is particularly joyful.
The little girl sang "take me home country roads" for the second time and couldn't help but burst into tears. This resonance has a nostalgic sadness in the geographical background of the film Virginia, and only a few shots convey a light-heavy feeling. Infectious, I have to sigh that Soderbergh is too powerful.
At the end of the film, the reappearance of the FBI female agent makes the whole story form a closed loop. All kinds of burdens and foreshadowings echo vividly and interestingly in the development of the plot, calm and not dull, light and not frivolous, and endless aftertastes.
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