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"I give you all the right to rule me, forever, without any conditions. Do whatever you want with me, rule me. Hit me." - "What is your heart's greatest desire." "Be yours Objects, disappear into your wonderful smell; dress you, undress you; put on your stockings, put on your shoes; never have self-will." - "Do you call this love?" "It's the only one Existing love. Love is like politics, only one party can be in power, one must be beaten, one must be beaten, and I'm willing to be the one to be beaten." A little black shoe toe exposed on the edge of the skirt, but finally dare not touch.) "I seek pain, and pleasure, and never let myself be manipulated by other people's feelings. Enjoy your lover, like He enjoys you; dominate him, oppress him like a lemon. If you don't want me to be your husband, let me be your slave. Treat me with divine brutality." - "Why me me To abuse the man who loves me." "I love you more." - "I don't want to be loved." "All women desire to be loved, just like the God who made us. Please create me, destroy me, and make me rubbish." ---------------------------------------------- ---- This remake is very innovative. For me, the male lead is exactly my favorite kind. Soft, slightly long blonde hair, black half-rimmed glasses, a suit that doesn't fit, a French literary man who writes plays. Literary men who seem to be very restrained are just too much to my liking. I almost had to put myself in when they were saying the lines word for word. I love this literary lyricism, this restrained dark desire that excites me more than naked flesh. I always think of many words, coercion, control, dominance. The heroine is so charming. That vague temptation, the wildness without any pretence, the natural topless breasts, I didn't feel erotic, I just found it beautiful. She gradually pressed the male protagonist, angering the poor man. He refused to admit that the "Kushmsky" in the script was his own reflection, and refused to admit that the heroine's sharp and accurate guess. However, when he is gradually satisfied with the heroine's "Wanda" image, and the heroine is dissatisfied with his neurotic behavior and decides to leave, he decides to give in. --------------------------------------------------
- "Say 'I beg you.'" (He shakes his head, but takes a big step forward and gets down on one knee) "I beg you." - "You're naughty." "You don't understand, I totally under your control." ------------------------------------------------------ -------- This is obviously a confrontation, but in fact, the two people, especially the male protagonist, have begun to be a little confused between reality and fantasy. What he is willing to kneel for is whether he wants to express the mood of his works to the greatest extent, or does he listen to his inner desire to surrender to the goddess like "Kushmsky"? Finally, the heroine's control of the hero has changed from the illusory control in the "opposite play" to the control of the hero's real life. She orders him, "Call your fiancée," and he shakes his head saying that's impossible, but pulls out his phone at her command again. His surrendered soul wakes up, calls, says he won't be going tonight, hangs up, shuts down, and drops his phone. She finally tortured him as she wished. After tying him to the stage road with silk stockings, she admired his tearful and drooling ugly appearance with satisfaction, she turned off all the lights and left without looking back. Behind him is his eternal and needless struggle, and the doors closing one after another. -------------------------------------------------- - "Did you hear the whistle of the whip? It thrilled my nerves. My only desire is to hear your moaning under the whip, and Mr. Kusmsky's cry, Crying like a little girl." - "And my heart was pounding and the air was hot." ------------------------- ------------------------- My favorite details are four. 1. The male protagonist's mobile phone ringtone is "Valkyrie Ride", and the worship of powerful women is vaguely reflected here. 2. There are many scenes in the movie where the male lead helps the female lead to fasten the hidden buttons behind the skirt. The first time the male protagonist did so at the strong request of the female protagonist, and the second time the female protagonist just lifted her hair, he naturally came over and fastened the hidden buttons. From inactive to active, his mood changes can be imagined. 3. The background music is an obvious theme variation. From the lyrical violin and piano ensemble to express the theme at the beginning of the interview, to the piano pause and celesta beats to express the theme at the time of "getting better", the atmosphere changed from calm and soothing to heart-pounding, animal blood boiling. When the plot progresses gradually, the main expression of the piano is changed to the orderly music of the violin. I have to say that the choice here is very good. The tight strings of the violin are not only the sudden tension of the hero, but also the commotion of the inner desire string of the audience. 4. When the heroine took off the choker on her neck and put it on for the hero, you could clearly hear the hero take a deep breath. Everything he said afterward was... trembling uncontrollably. -------------------------------------------------- God, in order to punish him, put him in the hands of a woman.
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