Pretentious tears, pretentious roles

Ernestina 2022-04-18 09:01:20

I've never seen a Japanese manga that is more pretentious than the characters here. I seriously doubt that the writers actually went through a normal childhood and high school. Your childhood was like a harem-like intrigue and love affair? !

Meiko Honma really hit all my thunder points "pretending to be pure, pretending to be a virgin, with a sharp and noisy voice"! And finally? Relying on a few broken notes to unite this group of people with few normal mental states? are you kidding me? If you are so smart, why come back at the age of hormonal bursting, you should have solved the problem before you died. what! Seeing that the otaku and the double ponytail are getting more and more wrong, come back, disrupt the situation, and make a group of people who were finally suppressed by their distorted mentality make a group of demons dance, and then disperse, this is your purpose, right?

The most insulting thing in this drama is not touching, but "friendship"! From start to finish, I didn't see any fart friendship between these five people. The little red guys are secretly pregnant, and their adolescence is full of love and love. How can the plot tell the friendship between them in a down-to-earth manner. If there is no glue of face code, these few years will probably be old and dead when they go to school. Otherwise, why is the otaku so depraved at home, those two scholars have never come to enlighten, and they have always looked down on others.

Forget the most shocking point, Mianma can obviously eat, touch things, and take a bath. Why does the man's touching IQ have to wait until episode 8 to think of asking Mianma to hold a plate to prove his existence?

The laughter is blunt, the tears are terrifying, and the friendship is distorted, forming such a "magical work" of Guo Jingming's hypocritical, pretentious, brainless, and then reconciled.

View more about Anohana: The Flower We Saw That Day reviews