It turns out that American movies also have Japanese delicacy and tenderness.
The stories are always as grand and shocking as the universe, and as small as small bridges and flowing waters. Unexpectedly, this time it was a small story told by the Americans: a fighting hero who experienced battlefield killings, especially likes quiet arrangements, so he found a job of "watching the lighthouse". It would have been an unpopular job, but every job has someone for it. What's more, the protagonist also met the girl he loves here. The problem is, it seems that the protagonist has run out of luck, on the battlefield, and in love.
The wife had two children, but neither died in childbirth. The first time was caused by the protagonist sticking to his post. Until one day, they caught a boat and rescued a newborn baby girl. According to the rules, the protagonist has to record and report it, but the wife wants to be a mother, so they have to cover up the fact and claim that it is their child. However, the protagonist sees that the baby girl's biological mother has been in pain for the loss of her husband and daughter, and he quietly writes to her to tell her that the baby girl is still alive. The result, of course, is event exposure. The protagonist is behind bars, and his wife is both pained by the "daughter" being snatched away and angry at his betrayal. Until the baby girl's biological mother chose to forgive. The baby girl grows up and also brings her own child to visit the protagonist (wife is dead).
What is the story about? But it is the heart of "loving the child", the "parental nature" in human nature. Because of the loss of a child, he hopes to have the child more and more, and finally chooses "private possession"; because of the loss of his daughter, he does everything in his power to find his beloved daughter and insist on "taking it back". All because of love, it turned into hatred, it became suffering. This seems to be a Buddhist reprimand and warning. 17.11.15
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